ISBN: 9781564967145 - type graphics: the power of type in graphic design (19 Ergebnisse)

Zustand: Very Good. illustrated edition. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Zustand: Good. illustrated edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Zustand: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Zustand: Très bon. Ancien livre de bibliothèque avec équipements. Edition 2000. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Edition 2000. Ammareal gives back up to 15% of this item's net price to charity organizations.…

Zustand: Very Good. illustrated edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. With usual stamps and markings, In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1350grams, ISBN:9781564967145.…

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. With owner's name and inscription inside cover. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1300grams, ISBN:9781564967145.…

Zustand: Very Good. Very Good condition. Good dust jacket. A copy that may have a few cosmetic defects. May also contain light spine creasing or a few markings such as an owner's name, short gifter's inscription or light stamp.

Zustand: very good. Photo non contractuelle. Envoi rapide et soigné.

2000; hardcover met stofomslag; goed exemplaar / good copy ; met stofomslag; goed exemplaar / good copy ; met stofomslag; goed exemplaar / good copy.

Hardcover. Zustand: Good. Zustand des Schutzumschlags: Good. 2nd Edition. Rubbing to edges of boards, heavy to bottom edge with small nick. Light rubbing to edges and corners of D/J.

Second Edition. Fine cloth copy in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 192 pages; Physical desc. : 192 p. : ill. (some col.) ; 29 cm. Subject: Graphic design (Typography) --Type and type-founding --Specimens --Graphic arts --Graphic design --1990-1999 --Book decoration --Typography. Summary: In the post-RayGun world of design, the use of type has become the singularly most important innovation in a new genre-deconstructive design. Whether on the page, screen or monitor, the digital creation, manipulation and use of type has transformed print media and new media. Design is now most dramatically judged on the use of type. Type can be emotive, expressive, illustrative, and interpretive, and a range of international designers working with type has managed to transform expectations and create startling designs which challenge static notions of the role of type in graphics. This volume presents some of the most innovative work from around the world with insight from the designers on their mission and creative process as it relates to the synthesis of type and image. 2 Kg.…

Second Edition. Fine cloth copy in an equally fine dw, now mylar-sleeved. Particularly and surprisingly well-preserved; tight, bright, clean and especially sharp-cornered.; 192 pages; Physical desc. : 192 p. : ill. (some col.) ; 29 cm. Subject: Graphic design (Typography) --Type and type-founding --Specimens --Graphic arts --Graphic design --1990-1999 --Book decoration --Typography. Summary: In the post-RayGun world of design, the use of type has become the singularly most important innovation in a new genre-deconstructive design. Whether on the page, screen or monitor, the digital creation, manipulation and use of type has transformed print media and new media. Design is now most dramatically judged on the use of type. Type can be emotive, expressive, illustrative, and interpretive, and a range of international designers working with type has managed to transform expectations and create startling designs which challenge static notions of the role of type in graphics. This volume presents some of the most innovative work from around the world with insight from the designers on their mission and creative process as it relates to the synthesis of type and image. 2 Kg.…

Hardcover. Zustand: Brand New. 11.00x9.25x1.00 inches. In Stock.

Zustand: Sehr gut. 192 S. Umschlag leicht berieben, sonst gutes Exemplar. - Type can be emotive, expressive, illustrative and interpretive. The designers featured in Type Graphics: The power of type in graphic design have managed to transform expectations and create startling designs that challenge static notions of the role type plays in design. Work from a diverse pantheon of internationally known designers captures the fluidity, the sensitivity and the art of designing with type. These stylists and practitioners of typographic virtuosity provide a range o work which has individuality, attitude and graphic flair. Collectively they demonstrate the power of type in contemporary design: Plazm -- Rudy VanderLans -- Scott Clum/Ride Studio -- Rodrigo Xavier Cavazos/PsyOps -- Leonardo Sonnoli -- David Carson -- Phil Baines -- DJ Stout -- Jeremy Tankard -- DonZinzell -- Torben Wilhelmsen -- Henrik Birkvig -- Susan Mitchell/ Farrar Straus & Giroux -- Stephen Farrell/Slipstudios -- Fred Woodward/Rolling Stone -- Louise Fili -- Neville Brody/ Research Studios -- Petrvan Blokland -- Smay Vision -- Michael Ian Kaye -- Typerware -- Why Not Associates -- Laurie Haycock Makela -- Jonathan Barnbrook. ISBN 9781564967145 Sprache: Deutsch Gewicht in Gramm: 1550 Mit zahlr. auch farb. Abb. Gebundene Ausgabe mit Schutzumschlag.…