Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Dalkey Archive Press, London, UK., 2006
ISBN 10: 1564783839 ISBN 13: 9781564783837
Anbieter: Doss-Haus Books, Redondo Beach, CA, USA
Erstausgabe
Soft cover. Zustand: Fine. 1st Edition. Softcover 2006, 1st edition. Covers in fine condition. Binding firm. Pages unmarked and clean.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 22,07
Anzahl: 1 verfügbar
In den WarenkorbZustand: New. pp. x + 247.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 19,32
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 247 pages. 8.50x5.75x0.75 inches. In Stock.
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 18,74
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2006. 1. paperback. . . . . . Books ship from the US and Ireland.
Anbieter: moluna, Greven, Deutschland
EUR 18,17
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Comprised of 150 poems, with a title taken from Charles Baudelaire s Les Fleurs du Mal , this collection skips from the strict form of the sonnet to the freedom of prose poetry. It contains a variety of forms and tones that work together to describe Paris,.
Sprache: Englisch
Verlag: Deep Vellum Publishing Jul 2006, 2006
ISBN 10: 1564783839 ISBN 13: 9781564783837
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Composed of 150 poems, with a title taken from Charles Baudelaire's Les Fleurs du Mal, and partly a response to the poetry of Raymond Queneau, this collection explores Jacques Roubaud's many poetic modes. He skips from the strict form of the sonnet to the freedom of prose poetry without abandoning the melancholy playfulness that has defined his lengthy writing career.A selection of Roubaud's best recent work, The Form of a City describes not only Paris, but also its people, its writers (and those of the Oulipo in particular), its monumental past, and its unsteady response to change.