Sprache: Englisch
Verlag: Stanford University Press, 2022
ISBN 10: 150363048X ISBN 13: 9781503630482
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hardcover. Zustand: Very Good.
Sprache: Englisch
Verlag: MK - Stanford University Press, 2022
ISBN 10: 150363048X ISBN 13: 9781503630482
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Stanford University Press, 2022
ISBN 10: 150363048X ISBN 13: 9781503630482
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Stanford University Press, 2022
ISBN 10: 150363048X ISBN 13: 9781503630482
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In den WarenkorbZustand: New. 2022. 1st Edition. Hardcover. . . . . . Books ship from the US and Ireland.
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In den WarenkorbZustand: New. Über den AutorFrida Beckman is Professor of Literature at Stockholm University. She is the author of Gilles Deleuze (2017), Culture Control Critique: Allegories of Reading the Present (2016), and Between Desi.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 178,45
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In den WarenkorbHardcover. Zustand: Brand New. 296 pages. 9.00x6.00x0.83 inches. In Stock.
Sprache: Englisch
Verlag: Stanford University Press Mai 2022, 2022
ISBN 10: 150363048X ISBN 13: 9781503630482
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Why does it seem like our everyday life is shadowed by something menacing This book identifies and illuminates paranoia as a significant feature of contemporary American society and culture. Centering on what it identifies as three key dimensions - power, truth, and identity - in three different contexts - society, literature, and critique - the book explores and explains the increasing influence of paranoid thinking in American society during the second half of the twentieth century and first decades of the twenty-first, a period that has seen the rise of control systems and neoliberal ascendency. Inquiring about the predominance of white, male, American subjects in paranoid culture, Frida Beckman recognizes the antagonistic maintenance and fortification of a conception of the autonomous individual that perceives itself to be under threat. Identifying such paranoia as emerging from an increasingly disjunctive relation between this conception of the subject and the changing nature of the public sphere, she develops the concept of the paranoid chronotope as a tool for the theoretical analysis of social, literary, and critical practices today. Investigating twenty-first century paranoid fictions, New Sincerity novels, conspiracist online culture, and postcritique, Beckman shows how the paranoid chronotope constitutes a recurring feature of modern consciousness.