ISBN: 9781496851505 - cartoons and antisemitism: visual politics of interwar poland (11 Ergebnisse)

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Paperback. Zustand: New. Antisemitic caricatures had existed in Polish society since at least the mid-nineteenth century. But never had the devastating impacts of this imagery been fully realized or so blatantly apparent than on the eve of the Second World War. In Cartoons and Antisemitism: Visual Politics of Interwar Poland, scholar Ewa Stanczyk explores how illustrators conceived of Jewish people in satirical drawing and reflected on the burning political questions of the day. Incorporating hundreds of cartoons, satirical texts, and newspaper articles from the 1930s, Stanczyk investigates how a visual culture that was essentially hostile to Jews penetrated deep and wide into Polish print media. In her sensitive analysis of these sources, the first of this kind in English, the author examines how major satirical magazines intervened in the ongoing events and contributed to the racialized political climate of the time.Paying close attention to the antisemitic tropes that were both local and global, Stanczyk reflects on the role of pictorial humor in the transmission of visual antisemitism across historical and geographical borders. As she discusses the communities of artists, publishers, and political commentators who made up the visual culture of the day, Stanczyk tells a captivating story of people who served the antisemitic cause, and those who chose to oppose it.…

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Taschenbuch. Zustand: Neu. Cartoons and Antisemitism | Visual Politics of Interwar Poland | Ewa Sta¿czyk | Taschenbuch | Einband - flex.(Paperback) | Englisch | 2024 | University Press of Mississippi | EAN 9781496851505 | Verantwortliche Person für die EU: Easy Access System Europe, Mustamäe Tee 50, 10621 TALLINN, ESTLAND, gpsr[dot]requests[at]easproject[dot]com | Anbieter: preigu. …

Paperback. Zustand: new. Paperback. Antisemitic caricatures had existed in Polish society since at least the mid-nineteenth century. But never had the devastating impacts of this imagery been fully realized or so blatantly apparent than on the eve of the Second World War. In Cartoons and Antisemitism: Visual Politics of Interwar Poland, scholar Ewa Stanczyk explores how illustrators conceived of Jewish people in satirical drawing and reflected on the burning political questions of the day. Incorporating hundreds of cartoons, satirical texts, and newspaper articles from the 1930s, Stanczyk investigates how a visual culture that was essentially hostile to Jews penetrated deep and wide into Polish print media. In her sensitive analysis of these sources, the first of this kind in English, the author examines how major satirical magazines intervened in the ongoing events and contributed to the racialized political climate of the time.Paying close attention to the antisemitic tropes that were both local and global, Stanczyk reflects on the role of pictorial humor in the transmission of visual antisemitism across historical and geographical borders. As she discusses the communities of artists, publishers, and political commentators who made up the visual culture of the day, Stanczyk tells a captivating story of people who served the antisemitic cause, and those who chose to oppose it. Antisemitic caricatures had existed in Polish society since at least the mid-nineteenth century. But never had the impacts of this imagery been so apparent than on the eve of the Second World War. Ewa Stanczyk explores how illustrators conceived of Jewish people in satirical drawing and reflected on the burning political questions of the day. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Zustand: New. Antisemitic caricatures had existed in Polish society since at least the mid-nineteenth century. But never had the devastating impacts of this imagery been fully realized or so blatantly apparent than on the eve of the Second World War. In Cartoons and Antisemitism: Visual Politics of Interwar Poland, scholar Ewa Stanczyk explores how illustrators conceived of Jewish people in satirical drawing and reflected on the burning political questions of the day. Incorporating hundreds of cartoons, satirical texts, and newspaper articles from the 1930s, Stanczyk investigates how a visual culture that was essentially hostile to Jews penetrated deep and wide into Polish print media. In her sensitive analysis of these sources, the first of this kind in English, the author examines how major satirical magazines intervened in the ongoing events and contributed to the racialized political climate of the time.Paying close attention to the antisemitic tropes that were both local and global, Stanczyk reflects on the role of pictorial humor in the transmission of visual antisemitism across historical and geographical borders. As she discusses the communities of artists, publishers, and political commentators who made up the visual culture of the day, Stanczyk tells a captivating story of people who served the antisemitic cause, and those who chose to oppose it.…