Sprache: Englisch
Verlag: Edinburgh University Press, 2021
ISBN 10: 1474481396 ISBN 13: 9781474481397
Anbieter: PBShop.store US, Wood Dale, IL, USA
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Edinburgh University Press, 2021
ISBN 10: 1474481396 ISBN 13: 9781474481397
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 112,96
Anzahl: 1 verfügbar
In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Edinburgh University Press, 2021
ISBN 10: 1474481396 ISBN 13: 9781474481397
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 123,00
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In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: Edinburgh University Press, 2021
ISBN 10: 1474481396 ISBN 13: 9781474481397
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.
Gebunden. Zustand: New. Über den AutorrnrnValerie M. Fazel, Instructor at Arizona State University, is co-editor of The Shakespeare User: Critical and Creative Appropriation in a Networked Culture and co-author of the Shakespeare Multiverse: Fandom as.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 190,40
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 254 pages. 9.50x6.50x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Edinburgh University Press Mär 2021, 2021
ISBN 10: 1474481396 ISBN 13: 9781474481397
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - 'This extraordinary collection will have a profound impact on Shakespeare and appropriation studies. Using object-oriented methodology, the authors develop a speculative approach that refigures Shakespeare as a vibrant, multifarious 'thing' that actively participates in the creation of limitless interpretations and appropriations. The volume opens up new possibilities for the field.'Lisa S. Starks, University of South FloridaExamines Shakespeare fragments as agents of appropriationDrawing on new materialism and object-oriented ontology, Variable Objects proposes that Shakespeare is a vibrant object replete with a variable energy that accounts for its infinite meaning-making capacity. Using critical race theory, object oriented feminism, performance studies, Global Shakespeares, media studies and game theory, the collection's essays explore the dialogic relationship between the Shakespeare object and its appropriation. Each chapter demonstrates that instead of moving away from the source of appropriation, an object-oriented approach can centralise Shakespeare without the constraints of outdated notions of fidelity. Highlighting the variable materiality inherent in Shakespeare, the collection foregrounds the political ecologies of literary objects as a new methodology for adaptation studies.Valerie M. Fazel is Instructor at Arizona State University.Louise Geddes is Associate Professor of English at Adelphi University.