Sprache: Englisch
Verlag: Edinburgh University Press, 2020
ISBN 10: 1474477747 ISBN 13: 9781474477741
Anbieter: PBShop.store US, Wood Dale, IL, USA
PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Edinburgh University Press, 2020
ISBN 10: 1474477747 ISBN 13: 9781474477741
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 34,84
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Edinburgh University Press, 2020
ISBN 10: 1474477747 ISBN 13: 9781474477741
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 36,91
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In den WarenkorbZustand: New. pp. 336.
Sprache: Englisch
Verlag: Edinburgh University Press, 2020
ISBN 10: 1474477747 ISBN 13: 9781474477741
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2020. Illustrated. Paperback. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Edinburgh University Press, 2020
ISBN 10: 1474477747 ISBN 13: 9781474477741
Anbieter: moluna, Greven, Deutschland
Zustand: New. Über den AutorrnrnJames Fleury teaches at Washington University in St. Louis. His work has appeared in Mediascape: UCLA s Journal of Cinema and Media Studies (2012, 2015), James Bond and Popular Culture: Essays on the Influence of the Fi.
Sprache: Englisch
Verlag: Edinburgh University Press Nov 2020, 2020
ISBN 10: 1474477747 ISBN 13: 9781474477741
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - As Hollywood shifts towards the digital era, the role of the media franchise has become more prominent. This edited collection, from a range of international scholars, argues that the franchise is now an integral element of American media culture. As such, the collection explores the production, distribution and marketing of franchises as a historical form of media-making - analysing the complex industrial practice of managing franchises across interconnected online platforms. Examining how traditional media incumbents like studios and networks have responded to the rise of new entrants from the technology sector (such as Facebook, Apple, Amazon, Netflix and Google), the authors take a critical look at the way new and old industrial logics collide in an increasingly fragmented and consolidated mediascape.