Sprache: Englisch
Verlag: Edinburgh University Press, 2020
ISBN 10: 1474474128 ISBN 13: 9781474474122
Anbieter: ThriftBooks-Atlanta, AUSTELL, GA, USA
Paperback. Zustand: Very Good. No Jacket. Former library book; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Edinburgh University Press, 2020
ISBN 10: 1474474128 ISBN 13: 9781474474122
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 28,27
Anzahl: 10 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Edinburgh University Press, 2020
ISBN 10: 1474474128 ISBN 13: 9781474474122
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 29,71
Anzahl: 3 verfügbar
In den WarenkorbZustand: New. pp. 240.
Sprache: Englisch
Verlag: Edinburgh University Press, 2020
ISBN 10: 1474474128 ISBN 13: 9781474474122
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2020. Paperback. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Edinburgh University Press, 2020
ISBN 10: 1474474128 ISBN 13: 9781474474122
Anbieter: moluna, Greven, Deutschland
EUR 33,87
Anzahl: Mehr als 20 verfügbar
In den WarenkorbKartoniert / Broschiert. Zustand: New. This book problematises how the sense of self and subjectivities are understood in contemporary China, and provides illuminating new insights on the changing notion of the individual through cinema.Über den AutorrnrnKiki Tianqi Yu is.
Sprache: Englisch
Verlag: Edinburgh University Press Aug 2020, 2020
ISBN 10: 1474474128 ISBN 13: 9781474474122
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - 'My' Self on Camera is the first book to explore first person narrative documentary in China's post-Mao era. Since the emergence of the individual as an ever more important social figure in China, this mode of independent filmmaking and cultural practice has become increasingly significant. Combining the approach of cultural ethnography, interviews, and textual analysis of selected films, this study examines the motivations, key aesthetic features and ethical tensions of presenting the self on camera, as well as the socio-political, cultural and technical conditions surrounding its practice. This book problematises how the sense of self and subjectivities are understood in contemporary China, and provides illuminating new insights on the changing notion of the individual through cinema.