Sprache: Englisch
Verlag: Edinburgh University Press, 2019
ISBN 10: 1474436242 ISBN 13: 9781474436243
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Edinburgh University Press, 2019
ISBN 10: 1474436242 ISBN 13: 9781474436243
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Edinburgh University Press, 2019
ISBN 10: 1474436242 ISBN 13: 9781474436243
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Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Edinburgh University Press, 2019
ISBN 10: 1474436242 ISBN 13: 9781474436243
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In den WarenkorbZustand: New. pp. 208.
Sprache: Englisch
Verlag: Edinburgh University Press, 2019
ISBN 10: 1474436242 ISBN 13: 9781474436243
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Zustand: New. 2019. Reprint. Paperback. . . . . . Books ship from the US and Ireland.
Zustand: New. Über den AutorSam Girgus is Professor of English at Vanderbilt University.Klappentext In this intellectually energetic and conceptually imaginative book, Sam Girgus halts at an intersection between .
Sprache: Englisch
Verlag: Edinburgh University Press Dez 2019, 2019
ISBN 10: 1474436242 ISBN 13: 9781474436243
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - In Time, Existential Presence and the Cinematic Image, Sam B. Girgus relates Laura Mulvey's theory of 'delayed cinema' to ideas on time and the relationship to the other in the writings of Jean-Luc Nancy, Emmanuel Levinas and Julia Kristeva, among others. The sustained tension in film between, in Mulvey's phrase, 'stillness and the moving image' enacts a drama of existential emergence. The stillness of the framed image in relation to the moving image opens 'free' cinematic time and space for a fresh engagement with crucial ethical and cultural issues. With close readings of films such as The Bicycle Thieves, Two Days, One Night, The Three Burials of Melquiades Estrada, The Revenant and The Age of Innocence, this book proposes a fresh approach to reading film in the context of emerging existential presence and the ethical imperative.