Sprache: Englisch
Verlag: Edinburgh University Press, 2016
ISBN 10: 1474415539 ISBN 13: 9781474415538
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In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Edinburgh University Press, 2016
ISBN 10: 1474415539 ISBN 13: 9781474415538
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Edinburgh University Press, 2016
ISBN 10: 1474415539 ISBN 13: 9781474415538
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
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In den WarenkorbZustand: New. pp. 128.
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In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 128 pages. 8.20x10.50x0.40 inches. In Stock.
Sprache: Englisch
Verlag: Edinburgh University Press, 2016
ISBN 10: 1474415539 ISBN 13: 9781474415538
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. . . 2016. 1st Edition. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Edinburgh University Press, 2016
ISBN 10: 1474415539 ISBN 13: 9781474415538
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EUR 27,77
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In den WarenkorbKartoniert / Broschiert. Zustand: New. This book focuses on the interconnection between Roland Barthes writing and drawings and Victor Burgin s writing and projection works. It features a newly commissioned work by Burgin and drawings largely unseen and continues to explore the influence of Bar.
Sprache: Englisch
Verlag: EDINBURGH UNIVERSITY PRESS Aug 2016, 2016
ISBN 10: 1474415539 ISBN 13: 9781474415538
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Barthes / BurginResearch Notes for an ExhibitionExplores Barthes, Burgin and the interstice between themThis book accompanies an exhibition at the John Hansard Gallery (February to April 2016), bringing together recent projection works by Victor Burgin and a selection of drawings by Roland Barthes rarely seen outside of France. The exhibition plays with Barthes' use of the slash as established in semiology (and notably used in the title of Barthes' key poststructuralist work S/Z). Included here are two new interviews with Burgin, one concerned with his turn to new digital practices and the other a reflection on his reading of Roland Barthes. Also included are images and texts from the artists and an essay critically examining Barthes' exercises in drawing and painting.The influence of Roland Barthes on Burgin's work is well documented. Equally, Burgin's prominence as an artist and theorist concerned with text and image offers a productive dialogue with Barthes' work. Victor Burgin has long been considered both theorist and practitioner, while Barthes is more known as a theorist and writer. In bringing to the fore Barthes's practice of painting and drawing, Barthes/Burgin prompts a new critical consideration of Barthes/Burgin, theory/practice, writing/making and criticality/visuality.Ryan Bishop is Professor of Global Art and Politics and Sunil Manghani is Reader in Critical and Cultural Theory. They are both at the Winchester School of Art, University of Southampton.