9781474410892 - Screening Statues: Sculpture and Cinema (Edinburgh Studies in Film and Intermediality) von Jacobs, Steven; Felleman, Susan; Adriaensens, Vito; Colpaert, Lisa (7 Ergebnisse)

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New. pp.

Zustand: New. Series: Edinburgh Studies in Film and Intermediality. BIC Classification: APFA; GBC. Category: (G) General (US: Trade). . . 2017. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Gebunden. Zustand: New. This book examines key sculptural motifs and cinematic sculpture in film history through a series of case studies and through an extensive reference gallery of 150 different films.&Uumlber den AutorSteven Jacobs teaches film hist.

Hardcover. Zustand: Brand New. 276 pages. 9.50x6.50x0.75 inches. In Stock.

Buch. Zustand: Neu. Neuware - Edinburgh Studies in Film and Intermediality Series editors: Martine Beugnet and Kriss Ravetto Founding editor: John Orr Screening Statues: Sculpture and Cinema Steven Jacobs, Susan Felleman, Vito Adriaensens and Lisa Colpaert Whereas sculpture is an artistic practice that involves not only static but also material, three-dimensional, and durable objects, the cinema produces kinetic, immaterial, two-dimensional, and fleeting images. However, the history of cinema amply illustrates the attraction of these opposites: statues coming to life in early cinema and disturbing the peace in Surrealist and trance films; the optical and haptic exploration of sculptural volumes in art documentaries and artists' films; the lure of the wax museums in horror films; the statuary metaphors of post-war modernist cinema; the mythological living statues of the peplum genre; and contemporary art practices in which film is used as sculptural medium. Dealing with a wide range of magical, mystical, cultural, historical, formal, and phenomenological interactions between film and sculpture, this book examines key sculptural motifs in film and cinematic sculpture in eight chapters and an extensive reference gallery. Steven Jacobs teaches at Ghent University and the University of Antwerp. Susan Felleman is Professor of Art History and Film and Media Studies at the University of South Carolina Vito Adriaensens is a visiting scholar and Adjunct Assistant Professor at Columbia University's Film Department with a Fellowship from the Flemish Research Council and the European Union's Horizon 2020 Project at the University of Antwerp Lisa Colpaert is a fashion designer and a film historian. She works as a curator for Cinea at the Royal Belgian Film Archive and is undertaking a practice-based PhD at the London College of Fashion (University of the Arts London).