PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Bloomsbury Publishing (UK), 2017
ISBN 10: 147425070X ISBN 13: 9781474250702
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 33,85
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In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
EUR 34,62
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In den WarenkorbZustand: New. pp. 368.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: Brand New. 384 pages. 8.75x5.50x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC, 2017
ISBN 10: 147425070X ISBN 13: 9781474250702
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2017. Paperback. . . . . . Books ship from the US and Ireland.
Zustand: New. InhaltsverzeichnisIntroduction: Performing Islam in South AsiaPlays from BangladeshPayer Awaj Pawa Jai/At the Sound of Marching Feet by Syed Shamsul Haq (translated by the author)Araj Charitamrita/Life of.
Sprache: Englisch
Verlag: Bloomsbury Academic Jan 2017, 2017
ISBN 10: 147425070X ISBN 13: 9781474250702
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Islam in Performance brings together six contemporary plays from Bangladesh, India, and Pakistan that highlight the political performance of Islam in South Asia, especially since the 1947 partition of the subcontinent.The plays invite comparison with one another, engaging with the issue from perspectives of the three countries concerned: Hindutva politics in India othering the Muslim population for electoral gains, radical Islamization of Pakistan paralyzing political governance and encouraging jihadi violence, and the ever-increasing Islamist threat to Bangladesh's founding secular ethos. Finally, this anthology focuses on the suffering such exclusionary politics of religious nationalism has piled upon minorities across the region. Widely performed but largely unpublished, the plays with their geographic and stylistic range provide a good spectrum of some of the best writing in contemporary South Asian drama.The editor's scholarly introduction offers a framework for studying the plays as both texts and performance pieces.