9781472587084 - shakespeare in the theatre: peter hall von hampton-reeves, stuart (5 Ergebnisse)
- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 33,46
EUR 13,99 VersandVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. In.
- Softcover
Anbieter: Revaluation Books, Exeter, Vereinigtes KönigreichRevaluation Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 52,41
EUR 11,68 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 2 verfügbar
Paperback. Zustand: Brand New. 224 pages. 7.80x5.08x0.63 inches. In Stock.
- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 63,44
EUR 9,18 VersandVersand innerhalb von USAAnzahl: Mehr als 20 verfügbar
Zustand: New. 2021. Paperback. . . . . . Books ship from the US and Ireland.
- Softcover
Anbieter: moluna, Greven, Deutschlandmoluna
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 41,14
EUR 48,99 VersandVersand von Deutschland nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New.
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 49,48
EUR 61,15 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Taschenbuch. Zustand: Neu. Neuware - Peter Hall is one of the most significant and influential directors of Shakespeare's work of modern times. Through both his own work and the management of two national theatre companies, the National Theatre and the RSC, Hall has promoted Shakespeare as a writer who can comment incisively on…the modern world. His best productions exemplified this approach: Coriolanus (1959), The Wars of the Roses (1963) and Hamlet (1965) established his reputation as a director able to bring Shakespeare to the heart of contemporary politics. However, Hall's career has been very varied, and sometimes his critical failures are as interesting as his successes. The book explores Hall's work as a deliberate articulation of Shakespeare and national culture in the post-war years. The main focus is on his Shakespeare work, but critical attention is also given to non-Shakespearean productions, notably his 1955 Waiting for Godot (and his relationship with Samuel Beckett in general) and his 2000 Tantalus (and his work with John Barton), placing Hall's work in its cultural and creative context. Setting Hall's work against the post-war development of national culture, the book explores how his work with other writers and artists (including Beckett, Pinter and Barton) informed his approach to directing as well as his rehearsal methods and his approach to Shakespeare's text.
