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In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Bloomsbury Publishing (UK), 2017
ISBN 10: 1472581601 ISBN 13: 9781472581600
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PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Bloomsbury Publishing (UK), 2017
ISBN 10: 1472581601 ISBN 13: 9781472581600
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In den Warenkorbpaperback. Zustand: Fine. New & unread, however may have light shelf wear to cover face, edges or corners. Shipped from the UK within 2 business days of order being placed.
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In den WarenkorbZustand: New. pp. 264.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC, 2017
ISBN 10: 1472581601 ISBN 13: 9781472581600
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Zustand: New. . . 2017. Reprint. Paperback. . . . . Books ship from the US and Ireland.
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In den Warenkorbpaperback. Zustand: New. Shipped from the UK within 2 business days of order being placed.
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In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 264 pages. 8.00x5.00x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Bloomsbury Publishing PLC, 2017
ISBN 10: 1472581601 ISBN 13: 9781472581600
Anbieter: moluna, Greven, Deutschland
Zustand: New. Über den AutorAbigail Rokison-WoodallInhaltsverzeichnisINTRODUCTIONPART 1CHAPTER 1: Education and the Early YearsCase Study: As You Like ItCHAPTER 2: Hytner and the RSCCASE STUDY.
Sprache: Englisch
Verlag: Bloomsbury Academic Arden Jan 2017, 2017
ISBN 10: 1472581601 ISBN 13: 9781472581600
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Part of the series Shakespeare in the Theatre, this book examines the work of renowned theatre director Nicholas Hytner (Artistic Director of the National Theatre from 2003-2015). Featuring case studies of Hytner's Shakespeare productions and interviews with actors, designers, directors and other practitioners with whom Hytner has worked, it explores Hytner's own productions of Shakespeare's plays within their respective socio-cultural contexts and the context of Hytner's other directing work, and examines his working practices and the impact of his Artistic directorship on the centrality of Shakespeare within the repertoire of the National Theatre.