9781469666556 - crosscurrents (4): volume 71, number 4, december 2021 (crosscurrents, 71, band 4) (3 Ergebnisse)
Sprache: Englisch
Verlag: Association for Public Religion and Intellectual Life, 2022
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Paperback. Zustand: Brand New. 136 pages. 9.00x6.00x0.47 inches. In Stock.
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Zustand: New. KlappentextCrossCurrents connects the wisdom of the heart with the life of the mind and the experiences of the body. The journal is operated through its parent organization, the Association for Public Religion and Intellectual Lif.
Sprache: Englisch
Verlag: Association Public Religion And Intellectual Life Mär 2022, 2022
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Neuware - CrossCurrents connects the wisdom of the heart with the life of the mind and the experiences of the body. The journal is operated through its parent organization, the Association for Public Religion and Intellectual Life (APRIL), an interreligious network of academics, activists, artists, and… community leaders seeking to engage the many ways religion meets the public. Contributions to the journal exist at the nexus of religion, education, the arts, and social justice. In the December issue of CrossCurrents: 'Not Yet Uhuru: Soundings on the Legacy of James H. Cone and Englebert Mveng for an Africana Liberation Theology' by Akintunde E. Akinade 'Muslims in these United States: Living up to the Ideals of the Greatest in the Shadows of Terrorism' by Amir Hussain 'Holocaust Memory and Restorative Justice: Competition, Friction, and Convergences' by Bjorn Krondorfer 'A Tale of Two Floods: Reflections on Biological Sustainability' by Regina Linder 'Court, Four Witnesses' by Alyda Faber Shenila Khoja-Moolji, Sovereign Attachments: Masculinity, Muslimness, and Affective Politics in Pakistan, reviewed by Elise Hocking 'Healing Fire at the Met: Terence Blanchard's Fire Shut Up in My Bones and Rashid Johnson's The Broken Nine' reviewed by Irina Sheynfeld 'Journeys: Sarah Sze and Rashid Johnson at Storm King Art Center' reviewed by Irina Sheynfeld.
