Sprache: Englisch
Verlag: University of Toronto Press, Scholarly Publishing Division, 2018
ISBN 10: 1442650125 ISBN 13: 9781442650121
Hardcover. Zustand: Near Fine. Zustand des Schutzumschlags: Near Fine.
Sprache: Englisch
Verlag: University of Toronto Press, 2018
ISBN 10: 1442650125 ISBN 13: 9781442650121
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 67,91
Anzahl: 3 verfügbar
In den WarenkorbZustand: New.
Sprache: Englisch
Verlag: University of Toronto Press, 2018
ISBN 10: 1442650125 ISBN 13: 9781442650121
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 70,23
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In English.
Sprache: Englisch
Verlag: University of Toronto Press, 2018
ISBN 10: 1442650125 ISBN 13: 9781442650121
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2018. Illustrated. hardcover. . . . . . Books ship from the US and Ireland.
EUR 79,03
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In den WarenkorbGebunden. Zustand: New. Mapping with Words re-conceptualizes early Canadian settler writing as literary cartography. Examining the multitude of ways in which writers expanded the work of mapmakers, it offers fresh readings of both familiar and obscure texts from the nineteenth cen.
Sprache: Englisch
Verlag: University Of Toronto Press Nov 2018, 2018
ISBN 10: 1442650125 ISBN 13: 9781442650121
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - Mapping with Words re-conceptualizes settler writing as literary cartography. The topographical descriptions of early Canadian settler writers generated not only picturesque and sublime landscapes, but also verbal maps. These worked to orient readers, reinforcing and expanding the cartographic order of the emerging colonial dominion. Drawing upon the work of critical and cultural geographers as well as literary theorists, Sarah Wylie Krotz opens up important aesthetic and political dimensions of both familiar and obscure texts from the nineteenth century, including Thomas Cary's Abram's Plains, George Monro Grant's Ocean to Ocean, and Susanna Moodie's Roughing it in the Bush. Highlighting the complex territoriality that emerges from their cartographic aesthetics, Krotz offers fresh readings of these texts, illuminating their role in an emerging spatial imaginary that was at once deeply invested in the production of colonial spaces and at the same time enmeshed in the realities of confronting Indigenous sovereignties.