ISBN: 9781441165527 - transmedia television: new trends in network serial production (7 Ergebnisse)

Zustand: Very Good. 1st Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Zustand: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,500grams, ISBN:9781441165527.

Zustand: New. pp. 224 3 Illus.

Paperback. Zustand: Brand New. 1st edition. 224 pages. 9.02x1.11x1.11 inches. In Stock.

Zustand: New. Examines both the texts of and the production behind four television shows that used transmedia as a new business and textual model for network TV. Num Pages: 224 pages, 3 illus. BIC Classification: APT; JFD. Category: (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 229 x 153 x 15. Weight in Grams: 422. . 2012. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. …

Kartoniert / Broschiert. Zustand: New. &Uumlber den AutorM.J. Clarke earned his PhD in Film and Television from UCLA in 2010. His work has previously been published in Television and New Media and Communication, Culture &amp Critique.Inhaltsverzeichnis.

Taschenbuch. Zustand: Neu. Neuware - Faced with what many were calling a dying medium, US network television producers became much more aggressive in seeking out alternative business and artistic models in the beginning of this century. Most significantly, many of these producers turned to the emerging field of transmedia (ancillary texts in comicbooks, novels and new media) as a way to bolster and support television products. In this book, the author examines four such programs (24, Alias, Heroes and Lost) and investigates how transmedia was incorporated into both the work and the art of network television production. Split into two complementary parts, the book first paints a picture of how transmedia producers were, or were not, incorporated into creative decision-making centers of these serialized programs. The second section explains how the presence of off-site transmedia texts begins to alter the very narrative construction of the on-air series themselves. Including interviews with the transmedia workers, this groundbreaking study extends the field of television studies into brand new areas, and brings a 'dying medium' into the 21st Century.…