Sprache: Englisch
Verlag: Peter Lang Inc., International Academic Publishers, 2009
ISBN 10: 1433103990 ISBN 13: 9781433103995
Anbieter: PBShop.store UK, Fairford, GLOS, Vereinigtes Königreich
EUR 80,11
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Peter Lang Inc., International Academic Publishers, 2009
ISBN 10: 1433103990 ISBN 13: 9781433103995
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 82,03
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In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Peter Lang Inc., International Academic Publishers, 2009
ISBN 10: 1433103990 ISBN 13: 9781433103995
Anbieter: PBShop.store US, Wood Dale, IL, USA
HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Sprache: Englisch
Verlag: Peter Lang Publishing Inc, 2009
ISBN 10: 1433103990 ISBN 13: 9781433103995
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 116,77
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In den WarenkorbZustand: New. Editor(s): Coury, Ralph M.; Lacey, R. Kevin. Series: Currents in Comparative Romance Languages & Literatures. Num Pages: 194 pages. BIC Classification: DB; JF. Category: (P) Professional & Vocational. Dimension: 158 x 236 x 18. Weight in Grams: 524. . 2009. First printing. Hardcover. . . . . Books ship from the US and Ireland.
EUR 97,20
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In den WarenkorbZustand: New. Writing Tangier discusses an array of topics relating to the literature on Tangier from the seventeenth century to the present. Major questions include: Why has Tangier come to play an important role in contemporary world literary history as a signif.
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Writing Tangier discusses an array of topics relating to the literature on Tangier from the seventeenth century to the present. Major questions include: Why has Tangier come to play an important role in contemporary world literary history as a signifier in the literary imagination; what is the nature of the inter-textual output produced through Paul Bowles' translations of the oral tales of a circle of uneducated storytellers (including Mohammed Mrabet and Larbi Layachi) and the text (For Bread Alone) brought to Bowles by the literate Mohamed Choukri; how do academics, artists, and writers who have been based in the city or who have written about it assess the various socio-economic, political, and cultural factors that have shaped its cultural production and the relationship of this production to the celebrated hybrid aspects of its identity; does the success of the literature of Tangier reflect a truly new multicultural cosmopolitanism, or does it stem from the fact that this literature is congenial to Westerners, that it is understood in terms that they themselves define, and that much of it (including productions in Arabic prepared with the expectation of translation) has even been «written to measure» for them.