ISBN: 9781350429321 - david lean: filmmaker and philosopher (philosophical filmmakers) (10 Ergebnisse)

paperback. Zustand: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

paperback. Zustand: Very Good. David Lean: Filmmaker and Philosopher (Philosophical Filmmakers) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping.…

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

PAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: New.

Paperback. Zustand: Brand New. 272 pages. 9.21x6.14x1.00 inches. In Stock.

Zustand: New. In English.

Zustand: New.

Taschenbuch. Zustand: Neu. Neuware - David Lean's extraordinary films work philosophically through the modern reproductive and transportive technologies of sight and sound: through trains, planes, ships, and automobiles, from one perspective, and through the modern technology of the radio and gramophone, from another.Lean's musical motifs are known worldwide: Lara's theme in Zhivago; the Colonel Bogey March in Kwai; Estella's motif in Great Expectations; Rosy's motif in Ryan's Daughter; Lawrence's motif for his adventure in Arabia, and of course Rachmaninoff's pounding chords in Brief Encounter. When, however, Lean described his cutting of pictures as akin to how music flows through pictures, what sort of music or musicality had he in mind: a classical or popular music, or a way of using musical form to mix up the meaning and material of his films Lydia Goehr's new book tracks the soundscape in Lean's films not only through the musical scores composed for the films, but also, and more, through the technology of radio and gramophone that, at the start of Lean's career, were becoming indispensable household items for the home. The book begins and ends with a motif running from the early more domestic films locally situated in the English home to the later more extensive epics of colony, commonwealth, and empire. The fidelity-infidelity relationship defined by marriage extends to the loyalty-betrayal relationship regarding countries of war and peace-after which this relationship is extended to the witty British manner of making film as a perfected and not so perfected symphonic work of a great cutter's art. Here, as few other books on Lean have emphasized, the influence of Noel Coward on Lean cannot be overestimated.…

Zustand: NEW.