Sprache: Englisch
Verlag: Cambridge University Press, 2017
ISBN 10: 1316639029 ISBN 13: 9781316639023
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 44,72
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2017
ISBN 10: 1316639029 ISBN 13: 9781316639023
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 65,77
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 340 pages. 9.69x6.69x0.87 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2017
ISBN 10: 1316639029 ISBN 13: 9781316639023
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. 2017. Paperback. Thomas Schuttenhelm's book presents an investigation into Michael Tippett's creative process and a comprehensive critical commentary on his orchestral music. Series: Music Since 1900. Num Pages: 340 pages, 12 b/w illus. 51 music examples. BIC Classification: 1DBK; 3JJ; AVGC6; AVH; AVRB. Category: (P) Professional & Vocational. Dimension: 173 x 245 x 22. Weight in Grams: 586. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2017
ISBN 10: 1316639029 ISBN 13: 9781316639023
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - With extracts from the composer's letters, writings, interviews and broadcasts, and supported by evidence from his sketchbooks and manuscripts, The Orchestral Music of Michael Tippett explores Tippett's intentions and argues that the experiences that triggered his creative impulses are integral to understanding his music. In his discussion of Tippett's creative process, Thomas Schuttenhelm attempts to recapture the circumstances under which Tippett's orchestral works were created, to document how his visionary aspirations were developed and sustained throughout the creative cycle, and to chart how conception was transmuted from idea through to performance. Analysing Tippett's orchestral works throughout his long career, from the Symphonic Movement of 1931 to his final masterpiece The Rose Lake in 1991-3, Schuttenhelm explores each work in detail to provide a comprehensive commentary on one of the most influential British composers of the twentieth century.