Sprache: Englisch
Verlag: Cambridge University Press, 2016
ISBN 10: 1316620832 ISBN 13: 9781316620830
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 40,39
Anzahl: 1 verfügbar
In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Sprache: Englisch
Verlag: Cambridge University Press, 2016
ISBN 10: 1316620832 ISBN 13: 9781316620830
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 44,23
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 62,59
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 232 pages. 9.00x6.00x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2016
ISBN 10: 1316620832 ISBN 13: 9781316620830
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Bratton presents a completely new history of the dynamic beginnings of the modern world of London West End theatre. Num Pages: 232 pages, 9 b/w illus. 1 map. BIC Classification: 1DBKESL; 2AB; 3JH; AN; DSG; HBJD1; JFSJ. Category: (P) Professional & Vocational. Dimension: 154 x 229 x 16. Weight in Grams: 344. . 2016. Reprint. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2016
ISBN 10: 1316620832 ISBN 13: 9781316620830
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - All roads lead to London - and to the West End theatre. This book presents a new history of the beginnings of the modern world of London entertainment. Putting female-centred, gender-challenging managements and styles at the centre, it redraws the map of performance history in the Victorian capital of the world. Bratton argues for the importance in Victorian culture of venues like the little Strand Theatre and the Gallery of Illustration in Regent Street in the experience of mid-century London, and of plays drawn from the work of Charles Dickens as well as burlesques by the early writers of Punch. Discovering a much more dynamic and often woman-led entertainment industry at the heart of the British Empire, this book seeks a new understanding of the work of women including Eliza Vestris, Mary Ann Keeley and Marie Wilton in creating the template for a magical new theatre of music, feeling and spectacle.