Sprache: Englisch
Verlag: Cambridge University Press, 2021
ISBN 10: 1316620573 ISBN 13: 9781316620571
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 43,82
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2021
ISBN 10: 1316620573 ISBN 13: 9781316620571
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New.
Sprache: Englisch
Verlag: Cambridge University Press, 2021
ISBN 10: 1316620573 ISBN 13: 9781316620571
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 61,59
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 242 pages. 9.61x6.69x0.51 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2021
ISBN 10: 1316620573 ISBN 13: 9781316620571
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Beginning from the unlikely vantage point of Venice in the aftermath of fascism and World War II, this book explores operatic production in the city's nascent postwar culture as a lens onto the relationship between opera and politics in the twentieth century. Both opera and Venice in the middle of the century are often talked about in strikingly similar terms: as museums locked in the past and blind to the future. These clichés are here overturned: perceptions of crisis were in fact remarkably productive for opera, and despite being physically locked in the past, Venice was undergoing a flourishing of avant-garde activity. Focusing on a local musical culture, Harriet Boyd-Bennett recasts some of the major composers, works, stylistic categories and narratives of twentieth-century music. The study provides fresh understandings of works by composers as diverse as Stravinsky, Prokofiev, Verdi, Britten and Nono.