Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.
Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Sprache: Englisch
Verlag: Picador Paper (edition Reprint), 2023
ISBN 10: 1250862949 ISBN 13: 9781250862945
Anbieter: BooksRun, Philadelphia, PA, USA
Paperback. Zustand: Very Good. Reprint. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Paperback. Zustand: New. Paperback. Publisher overstock, may contain remainder mark on edge.
Anbieter: Majestic Books, Hounslow, Vereinigtes Königreich
EUR 13,24
Anzahl: 1 verfügbar
In den WarenkorbZustand: New.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 20,99
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 336 pages. 8.25x5.25x1.00 inches. In Stock.
Zustand: New. 2023. Reprint. Paperback. . . . . . Books ship from the US and Ireland.
EUR 19,60
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Über den AutorDanielle J. Lindemann is an Associate Professor of Sociology at Lehigh University interested in gender, sexuality, the family, and culture. She is the author of Commuter Spouses: New Families in a Changing Wo.
Sprache: Englisch
Verlag: St. Martins Press Feb 2023, 2023
ISBN 10: 1250862949 ISBN 13: 9781250862945
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - Named a Best Nonfiction Book of 2022 by EsquireA sociological study of reality TV that explores its rise as a culture-dominating medium-and what the genre reveals about our attitudes toward race, gender, class, and sexuality.What do we see when we watch reality television In True Story: What Reality TV Says About Us, the sociologist and TV lover Danielle J. Lindemann takes a long, hard look in the 'funhouse mirror' of this genre, from countless rose ceremonies on The Bachelor to the White House and more (so much more!). Beginning with the first episodes of The Real World, reality TV has not only remade our entertainment and cultural landscape-it also uniquely refracts our everyday experiences and social topography. By taking reality TV seriously, we can better understand key institutions (such as families, schools, and prisons) and broad social categories (such as gender, race, class, and sexuality). These shows have the ability to unveil the major circuits of power that organize our lives and the extent to which our own realities are, in fact, socially constructed. Whether we're watching conniving Survivor contestants or three-year-old beauty queens, these 'guilty pleasures' underscore how conservative our society remains, and how steadfastly we cling to our notions about what counts as legitimate or 'real.' At once an entertaining chronicle of reality TV obsession and a pioneering work of sociology, True Story reflects our society back to us: what we see in the looking glass may not always be pretty, but we can't stop watching.