Verlag: Cambridge University Press, 2023
ISBN 10: 1108473512 ISBN 13: 9781108473514
Sprache: Englisch
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In den WarenkorbPaperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
Verlag: Cambridge University Press, 2023
ISBN 10: 1108473512 ISBN 13: 9781108473514
Sprache: Englisch
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HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Cambridge University Press, 2023
ISBN 10: 1108473512 ISBN 13: 9781108473514
Sprache: Englisch
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In den WarenkorbHRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
Verlag: Cambridge University Press, 2023
ISBN 10: 1108473512 ISBN 13: 9781108473514
Sprache: Englisch
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In den WarenkorbHardcover. Zustand: Brand New. 264 pages. 9.17x6.18x0.67 inches. In Stock.
Verlag: Cambridge University Press, 2023
ISBN 10: 1108473512 ISBN 13: 9781108473514
Sprache: Englisch
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In den WarenkorbHardcover. Zustand: Brand New. 264 pages. 9.17x6.18x0.67 inches. In Stock.
Verlag: Cambridge University Press, 2023
ISBN 10: 1108473512 ISBN 13: 9781108473514
Sprache: Englisch
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In den WarenkorbZustand: New. InhaltsverzeichnisIntroduction Help and Advice Note on the Text List of Characters The Play Supplementary Notes Note on Textual Analysis Textual Analysis Reading List.Klappentext For this updated criti.
Verlag: Cambridge University Press Sep 2023, 2023
ISBN 10: 1108473512 ISBN 13: 9781108473514
Sprache: Englisch
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Neuware - 'For this updated critical edition of Romeo and Juliet, Hester Lees-Jeffries has written a completely new Introduction. It draws on recent research in theatre to set Romeo and Juliet in its mid-1590s context,making connections with other plays by Shakespeare and other literature of the period, as well as with the social and cultural contexts of the day, with discussions of London and Italy; dancing and duelling; marriage, gender and sexuality. It includes detailed discussion of the play in performance from the Restoration to the present day, with a particular focus on film (including global cinema), music and dance, and also explores other adaptations and afterlives, including young-adult fiction. The edition retains the commentary and Textual Analysis of the previous editor, G. Blakemore Evans; the Textual Analysis is prefaced with a short note contextualising its conclusions in the light of more recent research'.