Sprache: Englisch
Verlag: Cambridge University Press, 2018
ISBN 10: 1108081665 ISBN 13: 9781108081665
Anbieter: Orbiting Books, Hereford, Vereinigtes Königreich
EUR 29,72
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In den Warenkorbpaperback. Zustand: New. Next day dispatch from the UK (Mon-Fri). Please contact us with any queries.
Sprache: Englisch
Verlag: Cambridge University Press, 2018
ISBN 10: 1108081665 ISBN 13: 9781108081665
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 38,06
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2018
ISBN 10: 1108081665 ISBN 13: 9781108081665
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. . 2018. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2018
ISBN 10: 1108081665 ISBN 13: 9781108081665
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 66,75
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In den WarenkorbPaperback. Zustand: Brand New. 318 pages. 8.50x5.51x0.83 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2017
ISBN 10: 1108081665 ISBN 13: 9781108081665
Anbieter: moluna, Greven, Deutschland
Kartoniert / Broschiert. Zustand: New. Alfred Bunn published these memoirs of his theatrical career in 1840. His account is written with a verve which makes it very readable, and provides a fascinating account of the period when Bunn was running both the Theatre Royal at Drury Lane and the Opera.
Sprache: Englisch
Verlag: Cambridge University Press, 2018
ISBN 10: 1108081665 ISBN 13: 9781108081665
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - The librettist and theatre manager Alfred Bunn (1796-1860) published these memoirs of his career, giving a view 'both before and behind the curtain', in 1840. He professes not to be fond of autobiographies, is clearly irritated at the not always flattering walk-on role he is given in the memoirs of some of the greatest contemporary performers, and regards this three-volume work as a way of settling a number of scores. His account cannot therefore be said to be unprejudiced, but it is written with a verve which makes it very readable, and - allowing for bias and exaggeration - provides a fascinating account of the period when Bunn was running both the Theatre Royal at Drury Lane and the Opera House at Covent Garden, providing libretti for some of the best known British composers of the period, and quarrelling with almost everyone he worked with in the course of his career.