Sprache: Englisch
Verlag: Cambridge University Press, 2015
ISBN 10: 1108078109 ISBN 13: 9781108078108
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 62,86
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2015
ISBN 10: 1108078109 ISBN 13: 9781108078108
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. In this 1907 work, Strong argues for the aesthetic importance of Roman sculpture, usually considered as inferior to Greek. Series: Cambridge Library Collection - Classics. Num Pages: 648 pages, 130 b/w illus. BIC Classification: HBLA1. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 36. Weight in Grams: 810. . 2015. Reprint. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2015
ISBN 10: 1108078109 ISBN 13: 9781108078108
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 118,69
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 648 pages. 8.50x5.50x1.75 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2015
ISBN 10: 1108078109 ISBN 13: 9781108078108
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Eugénie Strong (née Sellers, 1860-1943) studied classics at Girton College, Cambridge, and then classical archaeology in London. Her translations of Schuchardt's account of Schliemann's excavations at Troy, and of Fürtwangler's Masterpieces of Greek Sculpture, are also reissued in this series. Among other distinctions, she was the first female student of the British School at Athens, and in 1909 (partly as a result of the 1907 publication of this book) was appointed assistant director of the British School at Rome. Roman sculpture had consistently been regarded as the 'poor relation' of what was seen as the superior art of Greece, but in this highly illustrated work, covering the period from Augustus to Constantine, Strong argues both for its particular aesthetic qualities and also for its importance as occupying a special place 'at the psychological moment when the Antique passes from the service of the Pagan State into that of Christianity'.