Isbn: 9781108027168 - memoirs and recollections of the late abraham raimbach, esq. engraver: including a memoir of sir david wilkie (cambridge library collection - printing and publishing history) (3 Ergebnisse)

- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 36,39
EUR 13,15 VersandVersand von Vereinigtes Königreich nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. In.

- Softcover
Anbieter: Kennys Bookstore, Olney, MD, USAKennys Bookstore
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 48,25
EUR 9,03 VersandVersand innerhalb von USAAnzahl: Mehr als 20 verfügbar
Zustand: New. The posthumously published memoirs of one of the nineteenth century's most celebrated engravers, including his observations on Paris and Belgium. Editor(s): Raimbach, Michael Thomson Scott. Series: Cambridge Library Collection - History of Printing, Publishing and Libraries. Num Pages: 216 pages, 1 b/w illus. BIC Classification: DSB. Category: (P) Professional & Vocational. Dimension: 216 x 140 x 13. Weight in Grams: 280. . 2011. Paperback. . . . . Books ship from the US and Ireland. …

- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 58,19
EUR 30,50 VersandVersand von Deutschland nach USAAnzahl: 1 verfügbar
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Born in London, Abraham Raimbach (1776-1843) was one of the most celebrated engravers of his time. Published in 1843, these memoirs recount his career and give expanded first-hand observations on contemporary artists and public figures. Included is an extensive account of his two months in Paris in 1802, including impressions of its people and food (on frog's legs: 'I did not much like the flavour'), together with details of the numerous works of art he viewed. He muses on the possible reasons for the higher social standing afforded to artists in France than in Britain, and seems concerned, as travellers are today, about how far his money will stretch whilst in France. Also included is a short biography of Raimbach's principal collaborator, the painter Sir David Wilkie, written by Raimbach's son. This memoir will be of interest to social and art historians of the early nineteenth century.…