Sprache: Englisch
Verlag: Cambridge University Press, 2014
ISBN 10: 1107687853 ISBN 13: 9781107687851
Anbieter: WorldofBooks, Goring-By-Sea, WS, Vereinigtes Königreich
EUR 48,94
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In den WarenkorbPaperback. Zustand: Fine.
Sprache: Englisch
Verlag: Cambridge University Press, 2014
ISBN 10: 1107687853 ISBN 13: 9781107687851
Anbieter: Reuseabook, Gloucester, GLOS, Vereinigtes Königreich
EUR 46,74
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In den Warenkorbpaperback. Zustand: Used; Very Good. Dispatched, from the UK, within 48 hours of ordering. Though second-hand, the book is still in very good shape. Minimal signs of usage may include very minor creasing on the cover or on the spine.
Sprache: Englisch
Verlag: Cambridge University Press, 2014
ISBN 10: 1107687853 ISBN 13: 9781107687851
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 55,73
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 79,30
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In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 225 pages. 10.00x7.00x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2014
ISBN 10: 1107687853 ISBN 13: 9781107687851
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 105,36
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In this book, Caroline van Eck examines how rhetoric and the arts interacted in early modern Europe. Num Pages: 238 pages, black & white illustrations. BIC Classification: 1D; AC. Category: (U) Tertiary Education (US: College). Dimension: 255 x 178 x 13. Weight in Grams: 598. . 2014. Reprint. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2014
ISBN 10: 1107687853 ISBN 13: 9781107687851
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - In this book, Caroline van Eck examines how rhetoric and the arts interacted in early modern Europe. She argues that rhetoric, though originally developed for persuasive speech, has always used the visual as an important means of persuasion, and hence offers a number of strategies and concepts for visual persuasion as well. The book is divided into three major sections - theory, invention, and design. Van Eck analyzes how rhetoric informed artistic practice, theory, and perception in early modern Europe. This is the first full-length study to look at the issue of visual persuasion in both architecture and the visual arts, and to investigate what roles rhetoric played in visual persuasion, both from the perspective of artists and that of viewers.