Isbn: 9781107656208 - documents of performance in early modern england (6 Ergebnisse)

Soft cover. Zustand: Fine. Cambridge University Press, Cambridge, 2012. Trade paperback. Fine. A tight, clean, unmarked copy with firm binding. 8vo, 362 pp., with notes, bibliography, and index. A study of the separate documents used to create and stage plays in early modern England—including plot scenarios, playbills, prologues and epilogues, songs, scrolls, backstage plots, and actors' parts—and of how those materials shaped authorship, revision, and performance in the Shakespearean theater.…

softcover. Zustand: Sehr gut. 378 p. ISBN: 9781107656208 Sprache: Englisch Gewicht in Gramm: 585.

Zustand: New. In English.

Paperback. Zustand: Brand New. 1st edition. 376 pages. 8.98x0.71x5.98 inches. In Stock.

Zustand: New. 2012. Reprint. Paperback. Using fresh print and manuscript evidence, this book provides a new reading of playscripts in the Shakespearean period. Num Pages: 378 pages, black & white illustrations. BIC Classification: 2AB; 3JB; DSBD; DSG. Category: (UP) Postgraduate, Research & Scholarly. Dimension: 224 x 163 x 17. Weight in Grams: 594. 376 pages. Using fresh print and manuscript evidence, this book provides a new reading of playscripts in the Shakespearean period. Cateogry: (UP) Postgraduate, Research & Scholarly. BIC Classification: 2AB; 3JB; DSBD; DSG. Dimension: 224 x 163 x 17. Weight: 594. . . . . . Books ship from the US and Ireland. …

Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - As well as 'play-makers' and 'poets', playwrights of the early modern period were known as 'play-patchers' because their texts were made from separate documents. This book is the first to consider all the papers created by authors and theatres by the time of the opening performance, recovering types of script not previously known to have existed. With chapters on plot-scenarios, arguments, playbills, prologues and epilogues, songs, staged scrolls, backstage-plots and parts, it shows how textually distinct production was from any single unified book. And, as performance documents were easily lost, relegated or reused, the story of a play's patchy creation also becomes the story of its co-authorship, cuts, revisions and additions. Using a large body of fresh evidence, Documents of Performance in Early Modern England brings a wholly new reading to printed and manuscript playbooks of the Shakespearean period, redefining what a play, and what a playwright, actually is.…