Sprache: Englisch
Verlag: Cambridge University Press, 2017
ISBN 10: 1107647517 ISBN 13: 9781107647510
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 44,69
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2017
ISBN 10: 1107647517 ISBN 13: 9781107647510
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 63,60
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In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 262 pages. 9.00x6.00x0.60 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2017
ISBN 10: 1107647517 ISBN 13: 9781107647510
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This book argues that Coleridge's most important philosophical ideas were expressed not through theoretical argument but through his poems. Series: Cambridge Studies in Romanticism. Num Pages: 262 pages. BIC Classification: DSB; DSC. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 14. Weight in Grams: 36. . 2017. Reprint. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2017
ISBN 10: 1107647517 ISBN 13: 9781107647510
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Ewan James Jones argues that Coleridge engaged most significantly with philosophy not through systematic argument, but in verse. Jones carries this argument through a series of sustained close readings, both of canonical texts such as Christabel and The Rime of the Ancient Mariner, and also of less familiar verse, such as Limbo. Such work shows that the essential elements of poetic expression - a poem's metre, rhythm, rhyme and other such formal features - enabled Coleridge to think in an original and distinctive manner, which his systematic philosophy impeded. Attentiveness to such formal features, which has for some time been overlooked in Coleridge scholarship, permits a rethinking of the relationship between eighteenth-century verse and philosophy more broadly, as it engages with issues including affect, materiality and self-identity. Coleridge's poetic thinking, Jones argues, both consolidates and radicalises the current literary critical rediscovery of form.