Sprache: Englisch
Verlag: Cambridge University Press, 2016
ISBN 10: 1107615070 ISBN 13: 9781107615076
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
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Sprache: Englisch
Verlag: Cambridge University Press 07/03/2016, 2016
ISBN 10: 1107615070 ISBN 13: 9781107615076
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Sprache: Englisch
Verlag: Cambridge University Press 07/03/2016, 2016
ISBN 10: 1107615070 ISBN 13: 9781107615076
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Sprache: Englisch
Verlag: Cambridge University Press, 2016
ISBN 10: 1107615070 ISBN 13: 9781107615076
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
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In den WarenkorbPaperback. Zustand: Brand New. 233 pages. 9.00x6.00x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2016
ISBN 10: 1107615070 ISBN 13: 9781107615076
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This book guides readers through the most salient theoretical and creative possibilities opened up by the shift to digital literary forms. Series: Cambridge Introductions to Literature. Num Pages: 280 pages, 28 b/w illus. BIC Classification: DSB. Category: (U) Tertiary Education (US: College). Dimension: 228 x 152. . . 2016. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2016
ISBN 10: 1107615070 ISBN 13: 9781107615076
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Literature in a Digital Age: An Introduction guides readers through the most salient theoretical, interpretive, and creative possibilities opened up by the shift to digital literary forms such as Elektronisches Buchs, digital archives, and electronic literature. While Digital Humanities (DH) has been hailed as the 'next big thing' in literary studies, many students and scholars remain perplexed as to what a DH approach to literature entails, and skeptical observers continue to see literature and the digital world as fundamentally incompatible. In its argument that digital and traditional scholarship should be placed in dialogue with each other, this book contextualizes the advent of the digital in literary theory, explores the new questions readers can ask of texts when they become digitized, and investigates the challenges that fresh forms of born-digital fiction pose to existing models of literary analysis.