Sprache: Englisch
Verlag: Cambridge University Press, 2015
ISBN 10: 1107558611 ISBN 13: 9781107558618
Anbieter: World of Books (was SecondSale), Montgomery, IL, USA
Zustand: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.
Sprache: Englisch
Verlag: Cambridge University Press, 2015
ISBN 10: 1107558611 ISBN 13: 9781107558618
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 55,23
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2015
ISBN 10: 1107558611 ISBN 13: 9781107558618
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 68,31
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In den WarenkorbPaperback. Zustand: Brand New. 1st edition. 242 pages. 8.75x6.00x0.75 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2015
ISBN 10: 1107558611 ISBN 13: 9781107558618
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This book describes the conceptual and linguistic underpinnings of narrative interpretation. Num Pages: 242 pages, 20 b/w illus. BIC Classification: CFG; DSB; DSK. Category: (P) Professional & Vocational. Dimension: 230 x 153 x 20. Weight in Grams: 364. . 2015. Reprint. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2015
ISBN 10: 1107558611 ISBN 13: 9781107558618
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - How do we read stories How do they engage our minds and create meaning Are they a mental construct, a linguistic one or a cultural one What is the difference between real stories and fictional ones This book addresses such questions by describing the conceptual and linguistic underpinnings of narrative interpretation. Barbara Dancygier discusses literary texts as linguistic artifacts, describing the processes which drive the emergence of literary meaning. If a text means something to someone, she argues, there have to be linguistic phenomena that make it possible. Drawing on blending theory and construction grammar, the book focuses its linguistic lens on the concepts of the narrator and the story, and defines narrative viewpoint in a new way. The examples come from a wide spectrum of texts, primarily novels and drama, by authors such as William Shakespeare, Margaret Atwood, Philip Roth, Dave Eggers, Jan Potocki and Mikhail Bulgakov.