Sprache: Englisch
Verlag: Cambridge University Press, 2012
ISBN 10: 1107404592 ISBN 13: 9781107404595
Anbieter: WeBuyBooks, Rossendale, LANCS, Vereinigtes Königreich
EUR 33,04
Anzahl: 1 verfügbar
In den WarenkorbZustand: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.
Sprache: Englisch
Verlag: Cambridge University Press, 2012
ISBN 10: 1107404592 ISBN 13: 9781107404595
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 59,05
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2012
ISBN 10: 1107404592 ISBN 13: 9781107404595
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This book considers Shakespeare as a literary figure, analysing his full professional career, both poetry and plays. Num Pages: 324 pages, black & white illustrations. BIC Classification: DSB; DSGS. Category: (P) Professional & Vocational. Dimension: 229 x 152 x 18. Weight in Grams: 480. . 2012. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2012
ISBN 10: 1107404592 ISBN 13: 9781107404595
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Re-situating Shakespeare as an early modern professional, in this book Patrick Cheney views him not simply as a man of the theatre, but also as an author with a literary career. Rather than present himself as a national or laureate poet, as Spenser does, Shakespeare conceals his authorship through dramaturgy, rendering his artistic techniques and literary ambitions opaque. Accordingly, recent scholars have attended more to his innovative theatricality or his indifference to textuality than to his contribution to modern English authorship. By tracking Shakespeare's 'counter-laureate authorship', Cheney builds upon his previous study on Shakespeare and literary authorship, and demonstrates the presence throughout the plays of sustained intertextual fictions about the twin media of printed poetry and theatrical performance. In challenging Spenser as England's National Poet, Shakespeare reinvents English authorship as a key part of his legacy.