Sprache: Englisch
Verlag: Cambridge University Press, 2012
ISBN 10: 1107404398 ISBN 13: 9781107404397
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 56,04
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2012
ISBN 10: 1107404398 ISBN 13: 9781107404397
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 74,85
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. reprint edition. 222 pages. 9.50x7.25x0.50 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2012
ISBN 10: 1107404398 ISBN 13: 9781107404397
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. This book examines the innovative ways in which Richard Wagner made himself a celebrity, promoting himself using every means available. Num Pages: 236 pages, Illustrations. BIC Classification: AVGC9; AVH. Category: (P) Professional & Vocational. Dimension: 247 x 190 x 15. Weight in Grams: 440. . 2012. Reprint. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2012
ISBN 10: 1107404398 ISBN 13: 9781107404397
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - All modern artists have had to market themselves in some way. Richard Wagner may just have done it better than anyone else. In a self-promotional effort that began around 1840 in Paris, and lasted for the remainder of his career, Wagner claimed convincingly that he was the most German composer ever and the true successor of Beethoven. More significantly, he was an opera composer who declared that he was not composing operas. Instead, during the 1850s, he mapped out a new direction, conceiving of works that would break with tradition and be literally 'brand new'. This is the first study to examine the innovative ways in which Wagner made himself a celebrity, promoting himself using every means available: autobiography, journal articles, short stories, newspaper announcements, letters, even his operas themselves. Vazsonyi reveals how Wagner created a niche for his works in the crowded opera market that continues to be unique.