Theatre and performance theory - 9781107404380 - acts of activism: human rights as radical performance (theatre and performance theory) von madison, d. soyini (7 Ergebnisse)
Sprache: Englisch
Verlag: Cambridge University Press, 2012
- Softcover
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Sprache: Englisch
Verlag: Cambridge University Press, 2012
- Softcover
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Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: Cambridge University Press, 2012
- Softcover
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Zustand: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Cambridge University Press, 2012
- Softcover
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Sprache: Englisch
Verlag: Cambridge University Press, 2012
- Softcover
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes KönigreichRia Christie Collections
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Sprache: Englisch
Verlag: Cambridge University Press, 2012
- Softcover
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Zustand: New. A story of activists in South Saharan Africa using performance as a tactic of resistance and intervention in their struggles for human rights. Series: Theatre and Performance Theory. Num Pages: 336 pages, black & white illustrations. BIC Classification: ANF. Category: (P) Professional & Vocational. Dimension: 229 x… 155 x 21. Weight in Grams: 514. . 2012. Illustrated. paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2012
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
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Taschenbuch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - This book was first published in 2010. Madison presents the neglected yet compelling and necessary story of local activists in South Saharan Africa who employ modes of performance as tactics of resistance and intervention in their day-to-day struggle…s for human rights. The dynamic relationship between performance and activism are illustrated in three case studies: Act One presents a battle between tradition and modernity as the bodies of African women are caught in the cross-fire. Act Two focuses on 'water democracy' as activists fight for safe, accessible public water as a human right. Act Three examines the efficacy of street performance and theatre for development in the oral histories of Ghanaian gender activists. Unique to this book is the continuing juxtaposition between the everyday performances of local activism and their staged enactments before theatre audiences in Ghana and the USA. Madison beautifully demonstrates how these disparate sites of performance cohere in the service of rights, justice, and activism.
