Sprache: Englisch
Verlag: Cambridge University Press, Cambridge, 2013
ISBN 10: 1107033314 ISBN 13: 9781107033313
Erstausgabe
First edition. 420 pages. Cloth bound in very good condition with some pencil underlining and marginalia.
Sprache: Englisch
Verlag: Cambridge University Press, 2013
ISBN 10: 1107033314 ISBN 13: 9781107033313
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 87,89
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
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In den WarenkorbHardcover. Zustand: Brand New. 419 pages. 9.06x6.22x1.18 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2013
ISBN 10: 1107033314 ISBN 13: 9781107033313
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 169,70
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. 2013. 1ST. Hardcover. Explores comedy's voracious and multifarious dialogue with a large spectrum of literary, sub-literary and paraliterary traditions surrounding and shaping it. Editor(s): Bakola, Emmanuela; Prauscello, Lucia; Tel, Mario. Num Pages: 422 pages, 13 b/w illus. BIC Classification: 2AHA; DSBB. Category: (U) Tertiary Education (US: College). Dimension: 159 x 230 x 34. Weight in Grams: 760. . . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2013
ISBN 10: 1107033314 ISBN 13: 9781107033313
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - Recent scholarship has acknowledged that the intertextual discourse of ancient comedy with previous and contemporary literary traditions is not limited to tragedy. This book is a timely response to the more sophisticated and theory-grounded way of viewing comedy's interactions with its cultural and intellectual context. It shows that in the process of its self-definition, comedy emerges as voracious and multifarious with a wide spectrum of literary, sub-literary and paraliterary traditions, the engagement with which emerges as central to its projected literary identity and, subsequently, to the reception of the genre itself. Comedy's self-definition through generic discourse far transcends the (narrowly conceived) 'high-low' division of genres. This book explores ancient comedy's interactions with Homeric and Hesiodic epic, iambos, lyric, tragedy, the fable tradition, the ritual performances of the Greek polis, and its reception in Platonic writings and Alexandrian scholarship, within a unified interpretative framework.