Sprache: Englisch
Verlag: Cambridge University Press, 2012
ISBN 10: 1107006821 ISBN 13: 9781107006829
Anbieter: Labyrinth Books, Princeton, NJ, USA
Zustand: New.
Sprache: Englisch
Verlag: Cambridge University Press, 2012
ISBN 10: 1107006821 ISBN 13: 9781107006829
Anbieter: AMM Books, Gillingham, KENT, Vereinigtes Königreich
EUR 89,40
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Very Good. Unread. In stock ready to dispatch from the UK.
Sprache: Englisch
Verlag: Cambridge University Press, 2012
ISBN 10: 1107006821 ISBN 13: 9781107006829
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 163,88
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
Sprache: Englisch
Verlag: Cambridge University Press, 2012
ISBN 10: 1107006821 ISBN 13: 9781107006829
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 232,75
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. This book presents a complete overview of all aspects of audiovisual speech including perception, production, brain processing and technology. Editor(s): Bateson, Eric; Bailly, Gerard; Vatikiotis-Bateson, Eric; Perrier, Pascal. Num Pages: 506 pages, 103 b/w illus. BIC Classification: CFH; PSAN. Category: (P) Professional & Vocational. Dimension: 234 x 153 x 27. Weight in Grams: 926. . 2012. Illustrated. hardcover. . . . . Books ship from the US and Ireland.
EUR 236,91
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 1st edition. 506 pages. 9.25x6.25x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2012
ISBN 10: 1107006821 ISBN 13: 9781107006829
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - When we speak, we configure the vocal tract which shapes the visible motions of the face and the patterning of the audible speech acoustics. Similarly, we use these visible and audible behaviors to perceive speech. This book showcases a broad range of research investigating how these two types of signals are used in spoken communication, how they interact, and how they can be used to enhance the realistic synthesis and recognition of audible and visible speech. The volume begins by addressing two important questions about human audiovisual performance: how auditory and visual signals combine to access the mental lexicon and where in the brain this and related processes take place. It then turns to the production and perception of multimodal speech and how structures are coordinated within and across the two modalities. Finally, the book presents overviews and recent developments in machine-based speech recognition and synthesis of AV speech.