Sprache: Englisch
Verlag: Cambridge University Press, 2014
ISBN 10: 1107000246 ISBN 13: 9781107000247
Anbieter: AMM Books, Gillingham, KENT, Vereinigtes Königreich
EUR 52,68
Anzahl: 1 verfügbar
In den WarenkorbHardcover. Zustand: Very Good. Unread. There is some minor wear to the jacket. In stock ready to dispatch from the UK.
Sprache: Englisch
Verlag: Cambridge University Press, 2014
ISBN 10: 1107000246 ISBN 13: 9781107000247
Anbieter: Ria Christie Collections, Uxbridge, Vereinigtes Königreich
EUR 120,38
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In English.
Sprache: Englisch
Verlag: Cambridge University Press, 2014
ISBN 10: 1107000246 ISBN 13: 9781107000247
Anbieter: Kennys Bookstore, Olney, MD, USA
EUR 174,57
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. Thomas Schuttenhelm's book presents an investigation into Michael Tippett's creative process and a comprehensive critical commentary on his orchestral music. Series: Music Since 1900. Num Pages: 338 pages, 12 b/w illus. 51 music examples. BIC Classification: AVGC6; AVH; AVRB. Category: (P) Professional & Vocational. Dimension: 253 x 174 x 21. Weight in Grams: 840. . 2014. hardcover. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Cambridge University Press, 2014
ISBN 10: 1107000246 ISBN 13: 9781107000247
Anbieter: moluna, Greven, Deutschland
EUR 135,99
Anzahl: Mehr als 20 verfügbar
In den WarenkorbGebunden. Zustand: New.
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 178,10
Anzahl: 2 verfügbar
In den WarenkorbHardcover. Zustand: Brand New. 327 pages. 9.75x7.00x1.00 inches. In Stock.
Sprache: Englisch
Verlag: Cambridge University Press, 2014
ISBN 10: 1107000246 ISBN 13: 9781107000247
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Buch. Zustand: Neu. Druck auf Anfrage Neuware - Printed after ordering - With extracts from the composer's letters, writings, interviews and broadcasts, and supported by evidence from his sketchbooks and manuscripts, The Orchestral Music of Michael Tippett explores Tippett's intentions and argues that the experiences that triggered his creative impulses are integral to understanding his music. In his discussion of Tippett's creative process, Thomas Schuttenhelm attempts to recapture the circumstances under which Tippett's orchestral works were created, to document how his visionary aspirations were developed and sustained throughout the creative cycle, and to chart how conception was transmuted from idea through to performance. Analysing Tippett's orchestral works throughout his long career, from the Symphonic Movement of 1931 to his final masterpiece The Rose Lake in 1991-3, Schuttenhelm explores each work in detail to provide a comprehensive commentary on one of the most influential British composers of the twentieth century.