9781041187653 - the digital image and reality: affect, metaphysics and post-cinema (film culture in transition) von strutt, daniel (3 Ergebnisse)
Sprache: Englisch
Verlag: Routledge 2025
Serie: Film Culture in Transition, Buch 95 von 111. Buch 95 von 111 - Film Culture in Transition
- Softcover
Anbieter: Majestic Books, Hounslow, , Vereinigtes KönigreichMajestic Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Neu
EUR 64,09
EUR 7,49 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 3 verfügbar
Zustand: New.
Sprache: Englisch
Verlag: Taylor & Francis 2025
Serie: Film Culture in Transition, Buch 95 von 111. Buch 95 von 111 - Film Culture in Transition
- Softcover
Anbieter: moluna, Greven, , Deutschlandmoluna
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 62,28
EUR 48,99 VersandVersand von Deutschland nach USAAnzahl: Mehr als 20 verfügbar
Zustand: New. Dan Strutt is a lecturer in the department of Media, Communications and Cultural Studies at Goldsmiths, University of London, where he teaches film theory and analysis alongside social, cultural and economic theory. Having worked on research projects with C.
Sprache: Englisch
Verlag: Taylor & Francis Ltd Dez 2025 2025
Serie: Film Culture in Transition, Buch 95 von 111. Buch 95 von 111 - Film Culture in Transition
- Softcover
Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Neu
EUR 77,10
EUR 62,30 VersandVersand von Deutschland nach USAAnzahl: 2 verfügbar
Taschenbuch. Zustand: Neu. Neuware - The media technologies that surround and suffuse our everyday life profoundly affect our relation to reality. Philosophers since Plato and Aristotle have sought to understand the complex influence of apparently simple tools of expression on our understanding and experience of the world, time,… space, materiality and energy. The Digital Image and Reality takes up this crucial philosophical task for our digital era. This rich yet accessible work argues that when new visual technologies arrive to represent and simulate reality, they give rise to nothing less than a radically different sensual image of the world. Through engaging with post-cinematic content and the new digital formats in which it appears, Strutt uncovers and explores how digital image-making is integral to emergent modes of metaphysical reflection - to speculative futurism, optimistic nihilism, and ethical plasticity. Ultimately, he prompts the reader to ask whether the impact of digital image processes might go even beyond our subjective consciousness of reality, towards the synthesis of objective actuality itself.
