Sprache: Englisch
Verlag: Quinnipiac University Press, 2015
ISBN 10: 0990468623 ISBN 13: 9780990468622
Anbieter: Kennys Bookstore, Olney, MD, USA
Zustand: New. Luke Gibbons revisits representations of the Famine, particularly those in Ireland's Great Hunger Museum to argue that images can not only give visual pleasure but demand ethical interventions on the part of spectators. Num Pages: 40 pages, illustrations. BIC Classification: 1DBR; HBJD1; HBTB. Category: (G) General (US: Trade). Dimension: 281 x 228 x 4. Weight in Grams: 226. 2015. Paperback. . . . . Books ship from the US and Ireland.
Sprache: Englisch
Verlag: Quinnipiac University Press, 2015
ISBN 10: 0990468623 ISBN 13: 9780990468622
Anbieter: Revaluation Books, Exeter, Vereinigtes Königreich
EUR 15,78
Anzahl: 2 verfügbar
In den WarenkorbPaperback. Zustand: Brand New. 39 pages. 10.75x8.75x0.25 inches. In Stock.
Zustand: New. Luke Gibbons revisits representations of the Famine, particularly those in Ireland s Great Hunger Museum to argue that images can not only give visual pleasure but demand ethical interventions on the part of spectators.KlappentextThe.
Sprache: Englisch
Verlag: Cork University Press Apr 2015, 2015
ISBN 10: 0990468623 ISBN 13: 9780990468622
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - The absence of photographs of the Irish Famine has been attributed to the shortcomings of a medium then it its infancy, but it may also be due to certain limitations in the visible itself. Susan Sontag argued that images can evoke sentimental responses but cannot address wider political questions of obligation and justice. Luke Gibbons revisits representations of the Famine, particularly those in Ireland's Great Hunger Museum, to argue that images can not only give visual pleasure but demand ethical interventions on the part of spectators. This fusing of sympathy and affective response with the right of redress is conveyed by a 'judicious obscurity,' a determination not to show all, which places an obligation on the spectator to complete what is beyond representation, or what is left to the imagination.