Isbn: 9780989239110 - spectre (2 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Anti-Oedipus Press, 2013

    098923911X / 9780989239110

    • Softcover

    Anbieter: ThriftBooks-Dallas, Dallas, TX, USAThriftBooks-Dallas

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    Zustand: Gebraucht - Befriedigend

    EUR 14,36

     Versand gratis 
    Versand innerhalb von USA

    Anzahl: 1 verfügbar

    Paperback. Zustand: Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

  • Sprache: Englisch

    Verlag: Raw Dog Screaming Press Aug 2013, 2013

    098923911X / 9780989239110

    • Softcover

    Anbieter: AHA-BUCH GmbH, Einbeck, DeutschlandAHA-BUCH GmbH

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    Zustand: Neu

    EUR 36,89

    EUR 30,50 Versand 
    Versand von Deutschland nach USA

    Anzahl: 2 verfügbar

    Taschenbuch. Zustand: Neu. Neuware - Ian Fleming whittled the effigy of James Bond out of his experiences with the British naval intelligence during World War II. After the publication of his first Bond novel, Casino Royale, in1952, 007 quickly became a cultural icon in the Cold War and a fixture in our collective consciousness. In SPECTRE, Laurence A. Rickels examines Fleming's novels and film adaptations like never before, looking awry at Bond through the sieve of psychoanalytic theory, history, and Kulturindustrie. Within the Bond universe, SPECTRE (Special Executive for Counter-intelligence, Terrorism, Revenge and Extortion) is the global terrorist organization run by supervillain Ernst Stavro Bloefeld. Fleming added SPECTRE late in the game for the crossover into the film medium. The ghostly amalgam of perpetrators and victims of the Nazi era, SPECTRE deconstructs and manipulates the opposition of the Cold War, its repression of the recent past, in order to promote the welfare of an organization that is in every sense an underworld. For Rickels, SPECTRE is a theoretical apparatus whereby he monitors and measures the flows, intensities and codings of the Bond universe while using it to read other texts, ranging from the writings of Goethe, Shakespeare and Derrida to the post-Freudian theories of Melanie Klein. This visionary, richly allusive study breaks new ground while extending ideas developed in such works as Aberrations of Mourning and Nazi Psychoanalysis. Rickels approach is at once playful and pointed as he looms over Bond and lays him bare on the chaise.