Sprache: Englisch
Verlag: Copper Canyon Press (edition 1), 2002
ISBN 10: 0971898111 ISBN 13: 9780971898110
Anbieter: BooksRun, Philadelphia, PA, USA
Paperback. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Sprache: Englisch
Verlag: Copper Canyon Press (edition 1), 2002
ISBN 10: 0971898111 ISBN 13: 9780971898110
Anbieter: BooksRun, Philadelphia, PA, USA
Paperback. Zustand: Very Good. 1. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.
Paperback. Zustand: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.
Sprache: Englisch
Verlag: The American Poetry Review, Philadelphia, 2002
ISBN 10: 0971898111 ISBN 13: 9780971898110
Anbieter: Kenneth Mallory Bookseller ABAA, Decatur, GA, USA
Erstausgabe
Paperback. Zustand: Very good. Paperback. First printing. Very good in publisher's wraps.
EUR 19,22
Anzahl: 15 verfügbar
In den WarenkorbPAP. Zustand: New. New Book. Shipped from UK. Established seller since 2000.
EUR 19,45
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. In.
EUR 24,27
Anzahl: Mehr als 20 verfügbar
In den WarenkorbZustand: New. KlappentextrnrnSelected by Derek Walcott as winner of the American Poetry Review / Honickman First Book Prize.rn.
Sprache: Englisch
Verlag: Copper Canyon Press Sep 2002, 2002
ISBN 10: 0971898111 ISBN 13: 9780971898110
Anbieter: AHA-BUCH GmbH, Einbeck, Deutschland
Taschenbuch. Zustand: Neu. Neuware - 'Irresistible,' wrote Nobel Laureate Derek Walcott when he selected Kathleen Ossip's The Search Engine for the Honickman Prize from more than 1000 manuscripts. 'You feel like quoting her,' Walcott continued, 'because she is . . . so fresh and so open.' Ossip's poetry is word-rich and music-lush, infused with fastidious hilarity and a genuine intelligence. It is a poetry of nerves, with a hunger for subtlety. She admits her influences easily, using pop songs and academic quotes in a self-confessed, even parodic search for her voice. As Richard Howard remarks: 'An astonishment, this first book, and what a comfort!'.