Anbieter: medimops, Berlin, Deutschland
Zustand: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.
Sprache: Deutsch
Verlag: New York / Berlin: Lukas & Sternberg, 2000, 1. Aufl., 206 pages, m. Abb. / illustr., 17 x 11 cm, Broschur-Tb. / Softcover. (No. 002) (9780967180205), 2000
ISBN 10: 0967180201 ISBN 13: 9780967180205
Anbieter: BuchKunst-Usedom / Kunsthalle, Seebad Ahlbeck, Deutschland
Broschur-Tb. / Softcover. 1. Aufl. (No. 002). Exhibition: Frankfurter Kunstverein, 1999. - // Dutch artists Jeroen de Rijke and Willem de Rooij received international recognition for their seemingly luxurious and self-reflexive 35mm films. This first comprehensive monograph discusses how Dutch painting, Minimal Art, and film conventions become the backdrop for a cinema in its decontextualized form. In her seminal essay, author Vanessa Joan Müller discusses how in de Rijke/de Rooij s work the classic time-space continuum in which space is crossed and time flows is nearly transformed to movement in standstill. To use Gilles Deleuze s substantial cinematographic classification, the artists films can be said to deliver not images of movement , but instead moving images that separate the visible from things, and movement from history, favoring time as a category of aesthetic experience. . / Sprache : Deutsch, Englisch. (Sehr gut erhalten - NEU, ungelesen / in very good condition) Sprache: Deutsch Gewicht in Gramm: 500.