Isbn: 9780965745000 - tom baril (4 Ergebnisse)

Zustand: Good. Good; Hardcover; Stated First Edition, one of 2500 copies; Moderate sun-fading patterns to the front and back covers with heavy sun-fading to the cloth over the spine; All three textblock sides are unblemished; The endpapers and text pages are all clean and unmarked; The binding is excellent with a straight spine; This book will be shipped in a sturdy cardboard box with foam padding; Large Format (Quatro, 10.75" - 11.75" tall); 2.1 lbs; Brown cloth covers with illustrated photo plate to the front cover, and title in dark brown lettering along the spine; 1997, 4AD Publishing; 174 pages; "Tom Baril," by Tom Baril.…

Hardcover. Zustand: Fine. Zustand des Schutzumschlags: Fine. 1st Edition. Fine copy in hardcover with plain, white dust jacket. Limited to 2500 copies.

First Edition. First edition and first printing. Hardcover. A collection of 81 tritone plates of Baril's stunning images. A very good copy in cloth boards with an image affixed to the front cover with some sunning to the spine and front panel near the spine. No dust jacket as issued. Signed by Baril on the second endpaper. Signed.…

Hardcover. Zustand: Fine condition. Deluxe Limited Edition. Signed and numbered Tom Baril 21/50 on half title. With original gelatin silver print, signed and numbered. Original case bound black cloth with pastedown on cover and leather spine with black lettering. Original matted gelatin silver print (6 1/2 x 4 3/4") in black cloth portfolio; both volumes housed in black cloth slipcase with circular leather label with debossed "1" in circle. Textured brown endpapers. No. 21 of the limited edition of 50 copies with original silver gelatin print of a floral study. Contains series of seventy-five photos (5 5/8 x 4 3/8") and six additional photos (3 7/8 x 3") with Roman numerals. The tritone negatives were made by Robert Hennessy from original prints. Printed by Allethaire Press, Williamsburg, Massachusetts. Bound by the Riverside Group, Rochester, New York. Printed on Monadnock Dulcet. "In 1979, while still at [the School of] Visual Arts, he began as Robert Maplpethorpe's printer. Avoiding the studio, to distance himself from Mapplethorpe's work, he focused on the urban landscape and architecture. Finally moving into the studio with a pinhole camera he began to photograph flowers and make still life photographs of curious objects." (From Bio).…