9780956867704 - thomas sidney cooper, c.v.o., r.a.: his life and work von westwood, kenneth j. (2 Ergebnisse)

- Hardcover
Anbieter: Optimon Books, Gravesend, KENT, Vereinigtes KönigreichOptimon Books
Verkäufer/-in kontaktierenVerkäufer/-in mit 5 SternenZustand: Gebraucht - Befriedigend
EUR 99,87
EUR 21,03 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Hardcover. Zustand: Good. A quality production which permits the reproduction of some black and white and colour images of Cooper's paintings. Much of this book is in catalogue style, with headings and set details about e.g. the drawings, and when they were first exhibited in the late 19th and early 20th centuries. Dustjacket sl…ightly loose along edges, but unclipped, and very colourful; binding very good; very slight shelf colouring upon lower page edges; endpapers and text appear uniformly clean. Copyright A© David Leathers Pub.

Sprache: Englisch
Verlag: 1st edit., David Leathers Publishing, 2011. New set in dustwrappers contained in matching cloth slipcase, 2011
- Hardcover
Anbieter: R.G. Watkins Books and Prints, Ilminster, SOMER, Vereinigtes KönigreichR.G. Watkins Books and Prints
Verkäufer/-in kontaktierenVerkäufer/-in mit 4 SternenZustand: Gebraucht - Wie neu
EUR 102,29
EUR 32,71 VersandVersand von Vereinigtes Königreich nach USAAnzahl: 1 verfügbar
Hardcover. Zustand: As New. Zustand des Schutzumschlags: Dust Jacket Included. Over 650 colour illus., catalogues of pictures, portraits, lithographs and prints, appendices; 1,000pp. 4to orig. blue cloth, The first major study of England's foremost cattle painter.Cooper's reputation has suffered because of the numbers of copies,… fakes, and lesser-quality works produced in extreme old age, which have been taken to be representative of his ability. He was not a stock painter producing portraits of single animals for their owners. His pictures, except in rare exceptions, depict groups of animals carefully composed, in a manner inspired by the Dutch Old Masters, like Cuyp and Potter.Kenneth Westwood has put forward a body of evidence to show Cooper was the equal of the best Victorian landscape painters. His painting, as would be expected of a fine lithographer, was based on sound draughtsmanship. He made hundreds of sketches, which he did not sell, but used as an image library to construct his pictures. Apart from the familiar pictures of cattle and sheep in the Canterbury meadows, Cooper produced dramatic droving and snow scenes, and also created pictures like The Half-Past One O'Clock Charge at Waterloo, which were a marked contrast to his usual subjects.