9780954683160 - Journey to the Lower World (Bookscapes S.) (4 Ergebnisse)

paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that encompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.

Paperback. Zustand: Brand New. paperback/dvd edition. 8.25x10.00x0.50 inches. In Stock.

Paperback. Zustand: Near fine in wraps. First Edition. 21 x 26cm unpaginated near fine paperback catalogue produced to commemorate a shamanic performance by Marcus Coates in Liverpool. Includes writings, photographs and a film (included here on a CD) by Marcus Coates, Marc Wallinger and several other contributors.

Softcover. Zustand: Gut bis sehr gut. 1. Auflage. B : 21 x 26 cm, 96 pages (with DVD enclosed) - This book tells the story. Edited by Alec Finlay as a "bookscape," JOURNEY features a DVD of Coates' performance, photographs by Nick David and writings by Mark Wallinger and JJ Charlesworth. About Coates' piece, Wallinger writes: "The work treads a fine line between pathos and bathos. It is touching because it has enacted the fears and vulnerability of audience, which are real enough if ultimately unknowable, and finds its own strange way to an image of hope for them to take away.".