9780912334417 - Diane Arbus (15 Ergebnisse)

Paperback. Zustand: Good. Book shows some shelf & handling wear, including minor edge wear and cover yellowing. Pages are slightly worn. Interiors are intact with unmarked text/pictures. Good reading copy.

paperback. Zustand: Good. Aperture Millerton, NY June 1988 4to. unpaginated. boards moderately rubbed. light dampstaining from ffep to title page. binding secure.

Paperback. Zustand: Fair. A readable copy of the book which may include some defects such as highlighting and notes. Cover and pages may be creased and show discolouration.

Soft cover. Zustand: Very Good. 1st Edition. Pictorial cover Unpag,pl.

Eleventh printing. Softcover. Posthumously released monograph on this influential photographer which was done for the retrospective of her career at the Museum of Modern Art. Edited and designed by Marvin Israel and Doon Arbus, who was Diane's daughter. A tight close to near fine copy with some minor wear and some slight shallow staining to the edge of the rear panel. Otherwise a clean copy.

Wrappers. Zustand: Fine Condition. 184 pp., 80 black and white photographs. Very slight evidence of handling and shelfwear. Still essentially a crisp, tight, sharp and clean condition copy with an uncreased spine and an unmarked interior. Original price sticker remains affixed to the inside of the front cover. Pictorial wraps. Edited by Doon Arbus and Marvin Israel.

Zustand: Good. 15 pp., 80 plates. Wraps.

Third Printing. 15 Text- und 83 Tafelseiten, Fotoband mit 83 großformatigen s/w Fotos, die nicht nur von der Schönheit des Menschengeschlechts künden. Erschienen anläßlich der Ausstellung im Museum of Modern ArtText in englischer Sprache. Die Rückenenden gering bestoßen, sonst gutes Exemplar Sprache: Englisch Gewicht in Gramm: 1506 Original-Pappe, 24x28cm, Zustand: 3.

Soft cover. Zustand: Very Good. Fifth printing of this landmark publication of American documentary photography. Minor wear to covers, but no creases or tears. No crease to spine. Inside pages and photographs are clear and bright without marks, inscriptions or noticeable fading. Not ex-library. Not a remainder. Binding is firm. s12.

Paperback. Zustand: Used-Very Good. New edition. Pap. Minor shelf wear. Some scuffing and toning to wraps, particularly at rear. Else fine. A sound copy with bright, clean images.

Softcover/Paperback. Zustand: Very Good. No Jacket. New edition. Book condition: Very Good (Some toning to spine of cover, else fine. 12th printing) Binding: Softcover Language: English Edition: New edition Publishing place: New York Publishing Year: 1988 Description: Twelfth printing. Pictorial wraps. Edited by Doon Arbus and Marvin Israel. 842.000000.

Soft cover. Zustand: Very Good. Publication accompanying posthumous exhibition of the now legendary American photographer. Second paperback printing. Full page black-and-white reproductions. A well preserved copy with only a tiny 2mm chip to base of spine. No marks, inscriptions or fading to inside pages. Binding remains firm. s246.

Paperback. Zustand: Good. Oversized paperback in good condition, unpaginated. Former copy of photographer Chris Wainwright, with his signature to FEP. A well-thumbed copy, front cover is bowed, the front corners slightly split and rear lower corner creased. Spine ends are scuffed and the covers are tanned at the edges and lightly shelfworn. Light markings to inside of covers, FEP and REP. Light foxing and faint markings to page block. Photos are all bright and clear, text is clean and unmarked and binding is sound. AD. Used.

Soft cover. Zustand: Very Good. First Paperback Edition. unpaginated. Stiff pictorial wraps (Twins on the cover). No additional printing stated inidicating first softcover Edition. Does contain the "Two girls in identical raincoats" photograph that was struck from all but a few copies due to legal controversy. "Published posthumously, the year after her suicide, and in conjunction with a retrospective show at MOMA, the book was edited and designed by Arbus's daughter Doon and Marvin Israel. Diane Arbus left behind her career as a top fashion photographer and turned her attention to society's oddities and outsiders - twins, dwarves, giants, transvestites, the elderly and lonely. Her accent on these people was in no way mocking; rather, these portraits reveal her fascination with life's tragedies as destinies, and how they test both the individual and society itself. Size: Square 9 1/4" x 11". Book.

Fourth printing. 4°. 15 p. and 80 Duotone-plates. Illustrated original cardboard cover (softcover). (An Aperture Monograph). Koetzle, Fotografen A-Z 14 (mit 9 Abb.). Parr/Badger I, 258 f. Roth, The Book of 101 Books 214 f. Roth, The Open Book 284 f. - First edition, fourth printing. - Mit Originalzeichnung (Zwillinge) und Widmung des österreichischen Aktionskünstlers Günter Brus (1938-2024) "Ketchup - Krähe my [turn] Tin-Beer brother Sqaw Walley I. II. 74 Brus". - "Diane Arbus' irritierende Fotografien von Freaks und Exzentrikern waren in der internationalen Kunstszene bereits bekannt, als sie sich 1971 das Leben nahm. Ein Jahr nach ihrem Tod wurden auf der Biennale in Venedig zehn ins Monumentale vergrößerte Aufnahmen ihrer wunderlichen Menschen gezeigt (Zwerge, Transvestiten, Nudisten), die zur `überwältigenden Sensation des amerikanischen Pavillons'; wurden. [.] Es ist durchaus möglich, dass Diane Arbus keinen solchen Bekanntheitsgrad erreicht hätte, wäre sie am Leben geblieben, obwohl allgemein anerkannt wird, dass ihr herber, fast brutaler Stil [.] großen Einfluss auf andere Fotografen ausübte. Sie änderte drastisch unser Empfinden dafür, was in der Fotografie erlaubt ist: Sie erweiterte das Spektrum von Themen, die akzeptabel sind. Und sie erforschte bewusst die visuelle Mehrdeutigkeit von Randgruppen wie auch von Menschen, die in die Gesellschaft integriert waren" (Patricia Bosworth in Koetzle). - With original drawing (twins) and dedication by the Austrian action artist Günter Brus (1938-2024) "Ketchup - Krähe my [turn] Tin-Beer brother Sqaw Walley I. II. 74 Brus". - Diane Arbus' irritating photographs of freaks and eccentrics were already well known on the international art scene when she took her own life in 1971. One year after her death, ten monumentally enlarged photographs of her strange people (dwarves, transvestites, nudists) were shown at the Venice Biennale and became the 'overwhelming sensation of the American pavilion'. [.] It is quite possible that Diane Arbus would not have achieved such notoriety had she lived, although it is generally recognized that her harsh, almost brutal style [.] had a great influence on other photographers. She drastically changed our perception of what is acceptable in photography: she broadened the range of subjects that are acceptable. And she consciously explored the visual ambiguity of marginalized groups as well as people who were integrated into society" (Patricia Bosworth in Koetzle). - Well preserved. Sprache: englisch.