9780907932024 - sex female, occupation artist von treadwell-nicholas (8 Ergebnisse)
- Softcover
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Paperback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.
- Softcover
Anbieter: Better World Books Ltd, Dunfermline, Vereinigtes KönigreichBetter World Books Ltd
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EUR 5,61
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Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
- Softcover
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EUR 1,55
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Zustand: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.
- Softcover
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EUR 2,90
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paperback. Zustand: Good. Our good condition books are generally good for reading but not for gifting or collecting. They could have imperfections such as creasing, fanning, inscriptions, margin notes, yellowing, staining on edge or cover or pages, bumps, scuffs, etc etc (sometimes multiple of these). It's a wide category that e…ncompasses anything that isn't almost-new down to anything that is slightly better than poor. We would NOT recommend gifting Good books - these should be considered reading copies. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.
- Softcover
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paperback. Zustand: Good. Pages inner hinge is starting to detach from spine. Cover edges have minor scuffing.
- Softcover
Anbieter: The Private Library, London, Vereinigtes KönigreichThe Private Library
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Zustand: Good. From the Library of John Russell Taylor.
- Softcover
Anbieter: Versandantiquariat Aigner, Weyer, ÖsterreichVersandantiquariat Aigner
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96 Seiten, leichte Gebrauchsspuren, zahlreiche Werkabbildungen in s/w. Size: 4°. Buch.
Sprache: Englisch
Verlag: Denne Hill, Womenswold, Kent, Nicholas Treadwell Publications, 1984
- Softcover
- Erstausgabe
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Illustrierte Originalbroschur. Zustand: Sehr gut. Erstausgabe. 96 Seiten mit vielen schwarzweiß Abbildungen. 28 x 21,6 cm. Umschlagillustration von Mandy Havers: Self Portrait, Skin Deep. Sehr guter Zustand. Buchkanten etwas berieben. Mit einer privaten Widmung auf der Titelseite. From Wikipedia, the free encyclopedia: Nicholas…Treadwell (born 1937 owns the Nicholas Treadwell Gallery, which started in 1963 in touring vehicles, after which it was run in buildings in London, Bradford and finally Austria. Treadwell has promoted the Superhumanism art movement, which is defined as an art of urban living, conveyed in a vivid and accessible way. At times, his shows have evoked strong reactions for their provocative content. Since 2016 Treadwell has lived and worked as a gallerist in Vienna's Wieden district. Life and career: Nicholas Treadwell was born in the United Kingdom. In 1963, he toured England with a double-decker bus and two furniture vans as mobile galleries, as "Nicholas Treadwell's Mobile Art Gallery", based in Croydon. In 1968, he established the Nicholas Treadwell Gallery at 36 Chiltern Street, in the West End of London,[3] and lived in one of the rooms in the basement. An early exhibitor was artist John Scanes. Against the contemporary trend of Hard-edge abstraction and Minimalism, the gallery focused on "the basic nature of the human condition", and quickly gained a controversial reputation. In 1971, Art and Artist magazine said of one show: "The place blisters with work of searing eroticism, high camp, coarse belly laughs and hideous vulgarity". In 1975, Treadwell asked 29 artists to submit a new approach to what he termed the normal "academic and dull" portraits of Queen Elizabeth. The results showed her hand-in-hand with Henry VIII, rowing a boat and drinking from a Union Jack mug. Treadwell said that business with tourists had been good, but he did not invite the Queen to the show, because "I see them as very affectionate portraits, but I don't know how she would see them". In 1978, he acquired Denne Hill, a mansion with 52 rooms, designed by George Devey and built in 187175, in Womenswold between Canterbury and Dover; restoration took two years but it was opened to the public in July 1980. Denne Hill provided studios for artists and accommodation for visitors; Treadwell ran it alongside the London gallery until 1984. The Chiltern Street gallery was key to the launch of the Superhumanism (or Super Humanism) movement, which is defined as "art about people, people living the life of an urban society", and about which Treadwell wrote the first book in 1979. He published a second book on Superhumanism and promoted the movement through exhibitions in the United Kingdom and on the continent. Ben Moss, in his book Four Funerals and a Wedding, wrote: The actual imagery of the superhumanists, while striking, and sometimes shocking, reflected the contemporary feelings of the Western experience. It was preoccupied with daily life, with the characters of the street, or characters of an obtuse nature, and with scenes depicting the emotions, stresses or potential perversions lying within each of us. The artists, while portraying their ideas in aesthetically different ways, shared a desire to convey the moving nature of their subject matter in an understandably vivid manner. A philosophical acceptance of human weakness was an important characteristic of superhumanist art, but humour, cynicism, pessimism and anger were also present, along with an almost sad observation of the human condition, emotions which were the driving forces behind some of the movement's most striking imagery. In 1981, Treadwell's stand at the FIAC (Foire Internationale d'Art Contemporain) at the Grand Palais in Paris was deemed "deplorable and very popular" by Richard Shone in The Burlington Magazine. In 1984, Treadwell left Chiltern Street, and in 1987 opened Treadwell's Art Mill for Superhumanist work in a three-storey former wool mill in Little Germany, Bradford. [n 1] The Art Mill provided residency space for 14 a.
