ISBN: 9780907689157 - experiencing music: a composer's notes (musicians on music, no. 5, band 5) (20 Ergebnisse)

Hardback. Zustand: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Zustand: Very Good. Very Good condition. Good dust jacket. Cut to Dust Jacket. From the collection of Tom Verlaine. Verlaine was a guitarist, singer, and songwriter who was a founding member of the seminal punk rock band Television. He was known for his innovative guitar playing and songwriting, and he is considered to be one of the most important and influential musicians of the past 50 years.…

Hardback. Zustand: New. Here, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience.Vagn Holmboe [1909-96], was one of the most important composers of his era, and arguably the most important Danish composer after Carl Nielsen. A composer for over 60 years, and a teacher for more than 30, he wrote over 300 compositions in nearly every musical genre, music criticism, many other articles and two other books. Here, in a volume intended for the general reader, he discusses the nature of music, from the point of view of the composer, the performer and the listener. Where do musical ideas come from? What are composers' working methods, and how much are they really aware of them? What is the role of performers, and what sort of freedom do they have in interpreting music?What do listeners do in listening to music? What, essentially, is the musical experience? Professor Paul Rapoport contributes a lengthy introduction to this book, although, as he points out, `this is not a book about Vagn Holmboe nor a book addressed solely to musicians . Holmboe's prose, like his music, is addressed to his fellow human beings, whoever and wherever they may be'.…

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Zustand: New. New Book. Shipped from UK. Established seller since 2000.

Zustand: new.

Zustand: New. 1991. Illustrated. Hardcover. . . . . .

Hardcover. Zustand: Brand New. 142 pages. 8.50x5.67x0.71 inches. In Stock.

Zustand: Very Good. The books dust jacket is in very good condition with small scuffs and scratches. The content is in very good condition.

Zustand: New. 1991. Illustrated. Hardcover. . . . . . Books ship from the US and Ireland.

Zustand: New. In English.

Zustand: New.

Zustand: New.

Zustand: Very Good. NEW/UNREAD. Storage wear to jacket & board edges. Light marks & foxing to textblock edge. Content as new.

Zustand: Used Like New. NEW & UNREAD. Light storage scuffs & scratches to the jacket. Content as new.

Zustand: As New. Unread book in perfect condition.

Buch. Zustand: Neu. Neuware - Here, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience.Vagn Holmboe [1909-96], was one of the most important composers of his era, and arguably the most important Danish composer after Carl Nielsen. A composer for over 60 years, and a teacher for more than 30, he wrote over 300 compositions in nearly every musical genre, music criticism, many other articles and two other books. Here, in a volume intended for the general reader, he discusses the nature of music, from the point of view of the composer, the performer and the listener. Where do musical ideas come from What are composers' working methods, and how much are they really aware of them What is the role of performers, and what sort of freedom do they have in interpreting music What do listeners do in listening to music What, essentially, is the musical experience Professor Paul Rapoport contributes a lengthy introduction to this book, although, as he points out, `this is not a book about Vagn Holmboe nor a book addressed solely to musicians . Holmboe's prose, like his music, is addressed to his fellow human beings, whoever and wherever they may be'.…

Gebunden. Zustand: New. &Uumlber den AutorVagn HolmboeKlappentextHere, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience.

Hardcover. Zustand: new. Hardcover. Vagn Holmboe [1909-96], was one of the most important composers of his era, and arguably the most important Danish composer after Carl Nielsen. A composer for over 60 years, and a teacher for more than 30, he wrote over 300 compositions in nearly every musical genre, music criticism, many other articles and two other books. Here, in a volume intended for the general reader, he discusses the nature of music, from the point of view of the composer, the performer and the listener. Where do musical ideas come from? What are composers' working methods, and how much are they really aware of them? What is the role of performers, and what sort of freedom do they have in interpreting music? What do listeners do in listening to music? What, essentially, is the musical experience? Professor Paul Rapoport contributes a lengthy introduction to this book, although, as he points out, `this is not a book about Vagn Holmboe nor a book addressed solely to musicians . Holmboe's prose, like his music, is addressed to his fellow human beings, whoever and wherever they may be'. Here, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Zustand: New. Here, Holmboe discusses many issues facing the composer, performer and listener, giving especial attention to the most basic questions about musical experience.Vagn Holmboe [1909-96], was one of the most important composers of his era, and arguably the most important Danish composer after Carl Nielsen. A composer for over 60 years, and a teacher for more than 30, he wrote over 300 compositions in nearly every musical genre, music criticism, many other articles and two other books. Here, in a volume intended for the general reader, he discusses the nature of music, from the point of view of the composer, the performer and the listener. Where do musical ideas come from? What are composers' working methods, and how much are they really aware of them? What is the role of performers, and what sort of freedom do they have in interpreting music?What do listeners do in listening to music? What, essentially, is the musical experience? Professor Paul Rapoport contributes a lengthy introduction to this book, although, as he points out, `this is not a book about Vagn Holmboe nor a book addressed solely to musicians . Holmboe's prose, like his music, is addressed to his fellow human beings, whoever and wherever they may be'.…