Isbn: 9780892073504 - guggenheim collection (4 Ergebnisse)

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  • Sprache: Englisch

    Verlag: Solomon R Guggenheim Museum, 2007

    0892073500 / 9780892073504

    • Softcover

    Anbieter: World of Books (was SecondSale), Montgomery, IL, USAWorld of Books (was SecondSale)

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    Zustand: Gebraucht - Befriedigend

    EUR 12,02

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    Zustand: Good. Item in good condition. Textbooks may not include supplemental items i.e. CDs, access codes etc.

  • Sprache: Englisch

    Verlag: Guggenheim Museum, New York, 2006

    0892073500 / 9780892073504

    • Softcover

    Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USAArgosy Book Store, ABAA, ILAB

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    Zustand: Gebraucht - Sehr gut

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    paperback. Zustand: fine. More than 175 illustrations. 343 pages, 4to, stiff pictorial wrappers. New York: Guggenheim Museum, (2006). A fine copy. Published on the occasion of the exhibition The Guggenheim Collection.

  • Sprache: Englisch

    Verlag: Solomon R Guggenheim Museum, 2006

    0892073500 / 9780892073504

    • Softcover

    Anbieter: p015, Rotterdam, Niederlandep015

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    Zustand: Gebraucht - Gut

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    Paperback. Zustand: Very good. Condition: Zeer goed. Binding: Paperback. Year: 2006. Language: Engels. Description: Kreukje hoekje achterzijde met lichte sporen hoekjes verder als nieuw. Lichte gebruik-/opslagsporen.

  • Sprache: Englisch

    Verlag: Solomon R Guggenheim Museum, 2007

    0892073500 / 9780892073504

    • Softcover

    Anbieter: Les Livres des Limbes, Chisseaux, FrankreichLes Livres des Limbes

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    Soft cover. Zustand: As New. Still in shrink wrap / sous blister, new book. Beau livre broche 24,5 x 28 cm., illustrations, 344 pages. The essays are: the Guggenheim is not a place; the Thannhauser Collection; 1912; technology & spirit, the invention of non-objective art; Peggy's surreal playground; Art of This Century & the New York School; conflicting figuration in the postwar period; from objects to icons at the Guggenheim; a seacrh for essentail; the art of tomorrow, collecting in the 1990s & beyond; chronology. Synopsis: Originally, Solomon R. Guggenheim donated works from his collection to the Solomon R. Guggenheim Foundation, which he began in 1937 to support and promote non-objective art. Then, in 1939, he established the Museum of Non-Objective Painting, which was renamed the Solomon R. Guggenheim Museum in 1952, and its signature Frank Lloyd Wright building opened on New York's Fifth Avenue in 1959. Over time, the Guggenheim has expanded the type of art that it exhibits and collects through the addition of other great collections--notably, those of Karl Nierendorf, Peggy Guggenheim, Justin and Hilde Thannhauser, and Giuseppe Panza di Biumo--as well as through opportunities that resulted from the institution's increasingly international focus in more recent decades. The Guggenheim today encompasses venues on two continents: the museum in New York, the Peggy Guggenheim Collection in Venice, the Guggenheim Museum Bilbao, the Deutsche Guggenheim in Berlin and the Guggenheim Hermitage Museum in Las Vegas. This volume is published on the occasion of a major exhibition at the Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, and the Kunstmuseum Bonn. With its comprehensive presentation of masterworks from the Guggenheim's extended holdings, it provides insight into Modern and Contemporary art movements--from Impressionism to Cubism, Surrealism to Abstract Expressionism, Pop art and Minimalism to the most recent developments--and the distinctive features of the collection. The selection emphasizes the Guggenheim's ongoing commitment to acquiring the work of particular artists in depth, including Vasily Kandinsky, Paul Klee, Pablo Picasso, Robert Rauschenberg, Richard Serra and Matthew Barney, among many others. Book.