Sprache: Englisch
Verlag: Guggenheim Museum, Solomon R., 2004
ISBN 10: 0892073012 ISBN 13: 9780892073016
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Sprache: Englisch
Verlag: Guggenheim Museum, Solomon R., 2004
ISBN 10: 0892073012 ISBN 13: 9780892073016
Anbieter: Better World Books, Mishawaka, IN, USA
Zustand: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.
Zustand: Good. Good condition. Very Good dust jacket. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.
Sprache: Englisch
Verlag: Guggenheim Museum Publications, New York, 2004
ISBN 10: 0892073012 ISBN 13: 9780892073016
Anbieter: Brian Cassidy Books at Type Punch Matrix, Silver Spring, MD, USA
Erstausgabe
Zustand des Schutzumschlags: dj. First Edition. First printing, with photographic images of human hands by various artists, variously considered as aesthetic objects, anatomical curiosities, and symbols, published to accompany an exhibition held at the Solomon R. Guggenheim Museum, New York. With essays by Jennifer Blessing, Kirsten A. Hoving, and Ralph Rugoff. Plates in color and black & white. Hardcover. 4to. Pictorial boards in black and yellow dust jacket. Minor shelfwear. A hint of toning to upper edges of pages; otherwise unmarked. Near fine overall. 264pp. Near fine in a near fine jacket.
Sprache: Englisch
Verlag: Guggenheim Museum, New York, 2004
ISBN 10: 0892073012 ISBN 13: 9780892073016
Anbieter: Argosy Book Store, ABAA, ILAB, New York, NY, USA
hardcover. Zustand: fine. Zustand des Schutzumschlags: fine. With essays by Jennifer Blessing, Kirsten A. Hoving, and Ralph Rugoff. Previous owner's inscription and tracing of a hand on the contents page. 96 plates, 96 figures, and fully illustrated catalogue entries. 264 pages, black pictorial boards, dust wrapper. New York: Guggenheim Museum, (2004). A fine copy in a fine dust wrapper. "In the last ten years Henry M. Buhl has amassed a collection of more than one thousand photographs of hands.".
Zustand: Very good.
Sprache: Deutsch
Verlag: Guggenheim Museum Pubns 06.2004,, 2004
ISBN 10: 0892073012 ISBN 13: 9780892073016
Anbieter: Buchhandlung Neues Leben, Salzburg, S, Österreich
Zustand: Gut. Gebundene Ausgabe 263 Seiten Spuren der Zeit am Schutzumschlag, insgesamt jedoch guter, sauberer und ordentlicher Zustand. Innen nahezu ungelesen. Sprache: Englisch Gewicht in Gramm: 1350 Sprache: Deutsch Gewicht in Gramm: 550.
Sprache: Englisch
Verlag: Guggenheim Museum; Blessing, 2004
ISBN 10: 0892073012 ISBN 13: 9780892073016
Anbieter: Borkert, Schwarz und Zerfaß GbR, Berlin, Deutschland
EUR 30,40
Anzahl: 1 verfügbar
In den WarenkorbPp. : Orig.-Schutzumschlag. Zustand: Sehr gut. 264 Seiten, zahlr. Abb. Sehr gutes Exemplar, Einband leicht berieben. / Excellent copy, cover with minimal signs of wear. - In October 1993, Henry M. Buhl purchased a photograph by Alfred Stieglitz of Georgia O'Keeffe's hands. This photograph would come to be the cornerstone of a private collection that now includes over one thousand images by the medium's foremost practitioners as well as little-known and emerging artists. Focusing on the theme of the hand, Buhl has gathered images spanning the history of photography, from a photogenic drawing negative made in 1840 by William Henry Fox Talbot to serial Polaroids made in 2002 by Cornelia Parker. The collection also encompasses a comprehensive range of photographic practices, including scientific, journalistic, and fine-art photography, with a strong component of contemporary art. Published on the occasion of a major exhibition drawn from The Buhl Collection, this book demonstrates the prevalence of the hand as a photographic theme, a result, in part, of photography's easy ability to capture fragments and detail, as well as ephemeral movement. The selected works depict the hand literally, in the context of portraiture, for example, as well as figuratively, in terms of the poetic emphasis given to hand gestures in documentary images. In artistic images created from the 1920s to the present, the hand is abstracted and subsequently treated as a conceptual device. Jennifer Blessing explores the nature of collecting photographs and why hands are in many ways a uniquely photographic theme. Kirsten A. Hoving emphasizes the prevalence of hands in Surrealist photographs and prose. Ralph Rugoff discusses the uncanny aspects of hands in contemporary art that uses photography. The catalogue entries, written by Matthew S. Witkovsky with Melanie Marino and Nat Trotman, cover 150 artists and 168 works, forming a useful resource for the study of the history of photography. ISBN 9780892073016 Sprache: Englisch Gewicht in Gramm: 1688.